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Richard Cosway RA (5 November 1742 – 4 July 1821) was a leading English portrait painter of the Georgian and Regency era, noted for his miniatures. He was a contemporary of John Smart, George Engleheart, William Wood, and Richard Crosse. He befriended fellow Freemason and Swedenborgians William Blake and Chevalier d'Éon.
Portrait of John Dyer Collier, circa 1785, by George Engleheart; watercolour on ivory; V&A Museum no. P.76-1910 [1] Victoria and Albert Museum, London. George Engleheart (1750–1829) was an English painter of portrait miniatures, and a contemporary of Richard Cosway, John Smart, William Wood, and Richard Crosse.
Richard Crosse (1742–1810) was a leading English painter of portrait miniatures. He was a contemporary of John Smart , George Engleheart , Richard Cosway and William Wood . Family and home
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
Smart mainly painted watercolour miniatures on ivory, and often clearly signed and dated his work.A number of his preparatory drawings and sketches survive. His work is entirely different from that of Cosway, quiet and grey in its colouring, with the flesh tints elaborated with much subtlety and modelled in exquisite fashion. He possessed a great
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His mother, Ann Bone, was a cousin of George Engleheart, 'miniature-painter to the king.' Thomas became Engleheart's pupil, and was employed by the royal family in copying miniatures by his master and Richard Cosway. He also copied in miniature size many of the portraits by Sir Joshua Reynolds in the royal collection. His original and unsigned ...
Robertson created a new style of miniature portrait that became dominant by the middle of the nineteenth century; at least four examples are held in the Victoria and Albert Museum. [3] He broke with previous styles, particularly the work of Richard Cosway , and was critical of these earlier painters, describing their works as 'pretty things but ...