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This sculpture is considered one of the finest pieces of Indian art, and it is possible that the temple came to be known as Kailasa after it. Dhavalikar theorizes that this sculpture was carved around 3–4 decades after the completion of the main shrine, on the basis of its similarity to the tandava sculpture in the Lankeshvar cave. [17] H.
Kailashnath Mahadev Statue (Nepali: कैलाशनाथ महादेव) is the second tallest Shiva statue in the world. [ 1 ] [ 2 ] It is currently the fifth tallest Hindu deity statue . It is situated in Suryabinayak, Bhaktapur District in Nepal , about 20 km from Kathmandu .
The Master of Animals, Lord of Animals, or Mistress of the Animals is a motif in ancient art showing a human between and grasping two confronted animals. [1] The motif is very widespread in the art of the Ancient Near East and Egypt. The figure may be female or male, it may be a column or a symbol, the animals may be realistic or fantastical ...
The Kailasanathar Temple, Kanchipuram, also referred to as the Kailasanatha temple, is a Pallava-era historic Hindu temple in Kanchipuram, Tamil Nadu, India.Dedicated to Shiva, it is one of the oldest surviving monuments in Kanchipuram. [1]
Ellora, also called Verul or Elura, is the short form of the ancient name Elloorpuram. [10] The older form of the name has been found in ancient references such as the Baroda inscription of 812 AD which mentions "the greatness of this edifice" and that "this great edifice was built on a hill by Krishnaraja at Elapura, the edifice in the inscription being the Kailasa temple. [3]
1816 drawing from the Colin Mackenzie collection of the Krishna mandapa bas-relief, depicting daily life in 7th-century India and two aspects of the Krishna legends: flute-playing and lifting Mount Govardhana. From 1790 to 1820, Mackenzie paid anonymous Indian artists to draw thousands of sketches of temple ruins, inscriptions and artwork.
Kasturbhai Lalbhai Collection of Indian Drawings comprises over 1855 Indian drawings and unfinished paintings. They represent most of the schools of Indian miniature paintings. Initially the collection was formed nearly 1000 years ago and now it is on display with the same objective of understanding the technical and the creative processes of ...
It is believed that in pre-Mauryan times it was the Matrika (Mother-Goddess) statues that dominated. From the presentation and aesthetic standard of the Mauryan sculpture it can be inferred that the art had a long and continuous heritage. These sculptures became much more elegant, refined, well-shaped and worldly in the 2nd and 1st centuries BC.