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"Over the Rainbow" (Arlen/Harburg) exemplifies the 20th-century popular 32-bar song. [1]The 32-bar form, also known as the AABA song form, American popular song form and the ballad form, is a song structure commonly found in Tin Pan Alley songs and other American popular music, especially in the first half of the 20th century.
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick:
One example is terza rima, which is written in tercets with a rhyming pattern ABA BCB CDC. Another is the virelai ancien, which rhymes AABAAB BBCBBC CCDCCD. Other verse forms may also use chain rhyme. For instance, quatrains can be written to the following pattern: AABA BBCB CCDC. There are a few well-known examples of chain rhyme in world ...
That means that every A section or B section can consist of more than one section (for example Verse-Chorus). In that way the modern popular song structure can be viewed as a AABA form, where the B is the bridge. AAA format may be found in Bob Dylan's "The Times They Are a-Changin'", and songs like "The House of the Rising Sun", and "Clementine ...
It is one of the best-known examples of modal jazz, set in the Dorian mode and consisting of 16 bars of D Dorian, followed by eight bars of E ♭ Dorian and another eight of D Dorian. [1] This AABA structure puts it in the thirty-two-bar format of American popular song.
In a multi-section song form, such as AB or AABA, the first section. In 32-bar AABA form, the first A section is the first eight bars, and it contains the main melody. accordion. A free-reed instrument with two keyboards played with the hands, in which the sound is produced by pumping a bellows.
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Published in 1953, it is a conventional 32-bar song with four 8-bar sections, including a bridge ("Type A" or "AABA" song structure). [2] Typically performed as a ballad, it has an aria-like melody that is a challenge to many vocalists; [3] in the key of C, the song's melody extends from G below middle C to the second D above middle C.