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Georgia O'Keeffe, Untitled, vase of flowers, watercolor on paper, 17 + 3 ⁄ 4 in × 11 + 1 ⁄ 2 in (45.1 cm × 29.2 cm), between 1903 and 1905. O'Keeffe experimented with depicting flowers in her high school art class. Her teacher explained how important it was to examine the flower before drawing it.
In 2014, O'Keeffe's 1932 painting Jimson Weed/White Flower No. 1 sold for $44,405,000—at the time, by far the largest price paid for any painting by a female artist. [10] Her works are in the collections of several museums, and following her death, the Georgia O'Keeffe Museum was established in Santa Fe.
Robert Scott Duncanson, Landscape with Rainbow c. 1859, Hudson River School, Smithsonian American Art Museum, Washington, DC.. This list of African-American visual artists is a list that includes dates of birth and death of historically recognized African-American fine artists known for the creation of artworks that are primarily visual in nature, including traditional media such as painting ...
O'Keeffe began painting the centres of flowers in 1924. [14] [15] The first show of her enlarged flowers was at the Anderson Galleries in 1926. [16] The black irises were a recurring subject: She painted another oil called The Black Iris (CR 558), also known as The Dark Iris No. II and Dark Iris, a small (9x7") oil in 1926. [17]
Henri Matisse was known as a versatile artist who dabbled in many art forms and experimented with various media, including painting, drawing, sculpture, and graphic arts such as etchings, linocuts ...
Paul Bilhaud, Combat de nègres pendant la nuit, 1882 Monochrome painting was initiated at the first Incoherents exhibition in Paris in 1882, with a black painting by the poet Paul Bilhaud entitled Combat de Nègres pendant la nuit ("Battle of negroes during the night"), which had been missing since 1882 when it was rediscovered in a private collection in 2017–2018. [2]
Although he was initially labeled as a Fauve (wild beast), by the 1920s, he was increasingly hailed as an upholder of the classical tradition in French painting. [1] His mastery of the expressive language of color and drawing, displayed in a body of work spanning over a half-century, won him recognition as a leading figure in modern art.
He visited Morocco in 1912 and again in 1913 and while painting in Tangier he made several changes to his work, including his use of black as a colour. [ 29 ] [ 30 ] [ 31 ] The effect on Matisse's art was a new boldness in the use of intense, unmodulated colour, as in L'Atelier Rouge (1911).
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