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A FuniChar D-616 guitar with a Drop D tuning. It has an unusual additional fretboard that extends onto the headstock. Most guitarists obtain a Drop D tuning by detuning the low E string a tone down. This article contains a list of guitar tunings that supplements the article guitar tunings. In particular, this list contains more examples of open ...
Modal tunings are open tunings in which the open strings of the guitar do not produce a tertian (i.e., major or minor, or variants thereof) chord. The strings may be tuned to exclusively present a single interval (all fourths; all fifths; etc.) or they may be tuned to a non-tertian chord (unresolved suspensions such as E–A–B–E–A–E ...
The shifting of chords is especially simple for the regular tunings that repeat their open strings, in which case chords can be moved vertically: Chords can be moved three strings up (or down) in major-thirds tuning, [3] and chords can be moved two strings up (or down) in augmented-fourths tuning. Regular tunings thus appeal to new guitarists ...
One simple chord substitute for IV is the "ii" chord, a minor chord built on the second scale degree. In the key of C major, the "ii" chord is "D minor", which is the notes "D, F, and A". As there are two shared notes between the IV and "ii" chords, a melody that works well over IV is likely to be supported by the "ii" chord.
Thus, chords can be shifted vertically on the same frets. Chords are inverted by shifting notes by three strings on the same fret in major-thirds tuning. [1] Repetitive tunings are a type of alternative tunings for the guitar. A repetitive tuning begins with a list of notes that is duplicated, either at unison or at higher octaves.
Among alternative tunings for the guitar, an overtones tuning selects its open-string notes from the overtone sequence of a fundamental note. An example is the open tuning constituted by the first six overtones of the fundamental note C , namely C 2 -C 3 -G 3 -C 4 -E 4 -G 4 .
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The tuning makes it easier to play the more complex chord voicings commonly associated with these kinds of music, and the heavier strings on the bottom contribute a "thicker" or "fatter" tone. Below is a typical C6 copedent for a double–neck steel guitar. Notice that the first 3 pedals are blank, as is the V lever.
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