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A conservation technician examining an artwork under a microscope at the Indianapolis Museum of Art. The conservation and restoration of books, manuscripts, documents, and ephemera is an activity dedicated to extending the life of items of historical and personal value made primarily from paper, parchment, and leather.
The conservation and restoration of paintings is carried out by professional painting conservators. Paintings cover a wide range of various mediums, materials, and their supports (i.e. the painted surface made from fabric, paper, wood panel, fabricated board, or other). Painting types include fine art to decorative and functional objects ...
Conservation of cultural property involves protection and restoration using "any methods that prove effective in keeping that property in as close to its original condition as possible for as long as possible." [ 3 ] Conservation of cultural heritage is often associated with art collections and museums and involves collection care and ...
The conservation and restoration of illuminated manuscripts is the care and treatment of illuminated manuscripts which have cultural and historical significance so that they may be viewed, read, and studied now and in the future. It is a specialty case of the conservation and restoration of parchment within the field of conservation and ...
Lining of paintings. The lining of paintings is a process of conservation science and art restoration used to strengthen, flatten or consolidate oil or tempera paintings on canvas by attaching a new support to the back of the existing one. The process is sometimes referred to as relining.
Foxing is an age-related process of deterioration that causes spots and browning on old paper documents such as books, postage stamps, old paper money and certificates. The name may be a variant form of the English West country dialect term foust and Scots foze, to become moldy. [1] Alternatively, it may derive from the fox -like reddish-brown ...
Using blotting paper, the papyri fragments are dried via sheets of blotting paper. Using Paraloid B-48 (20 percent in acetone), the painting and its gesso layer are consolidated from the back. The object is then backed by a new cartonnage support consisting of Japanese paper (70–90 grams), linen cloth and a Planatol BB/water dilution (40 ...
A paintings conservator is an individual responsible for protecting cultural heritage in the form of painted works of art. These individuals are most often under the employ of museums, conservation centers, or other cultural institutions. They oversee the physical care of collections, and are trained in chemistry and practical application of ...