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The Lycosoura Demeter is a remnant of a colossal sculpture of Demeter, ... The heads of Demeter, Artemis, and Anytos were transferred to the museum (as 1734, 1735 ...
The Sanctuary of Despoina at Lycosoura is located 9 km WSW of Megalopolis, 6.9 km SSE of Mount Lykaion, and 160 km SW of Athens. There is a small museum at the archaeological site housing small finds as well as part of the cult group, while the remains of the cult statues of Despoina and Demeter are displayed at the National Archaeological ...
The Lycosoura Artemis is the remnant of a colossal sculpture of Artemis, created in the Hellenistic period and discovered in Lycosura, present day Arcadia, Greece. [1] [2]The bust is an acrolith, a composite of many different materials, and is attributed to the sculptor Damophon, who was prominent in the Peloponnese in the early portion of the 2nd century B.C. [1] [2]
The relief is made of Pentelic marble, and it is 2,20 m. tall, 1,52 m. wide, and 15 cm thick. [4] It depicts the three most important figures of the Eleusianian Mysteries; the goddess of agriculture and abundance Demeter, her daughter Persephone queen of the Underworld and the Eleusinian hero Triptolemus, the son of Queen Metanira, [3] [4] in what appears to be a rite. [1]
The Themis of Rhamnous as displayed in the National Archaeological Museum, Athens. The Themis of Rhamnous is a statue found in 1890 in Rhamnous, identified as the goddess Themis and dated to around 300 BCE on the basis of a dedicatory inscription on its base.
In an episode preserved in a remark of Pausanias, [7] an archaic Demeter Erinys (Vengeful Demeter) too had also been a Great Mare, who was mounted by Poseidon in the form of a stallion and foaled Arion and the Daughter who was unnamed outside the Arcadian mysteries. [8] Demeter was venerated as a mare in Lycosoura in Arcadia into historical times.
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A mark of the continuing artistic value placed on the Diadumenos type in the modern era, once it had been reconnected with Polyclitus in 1878, may be drawn from the facts that a copy was among the sculptures ranged on the roof of the National Archaeological Museum, Athens, when it was completed in 1889, [8] and that the Esquiline Venus has sometimes been interpreted as a female version of the ...