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A remote camera, also known as a trail camera or game camera, is a camera placed by a photographer in areas where the photographer generally cannot be at the camera to snap the shutter. This includes areas with limited access, tight spaces where a person is not allowed, or just another angle so that the photographer can simultaneously take ...
A camera trap is a camera that is automatically triggered by motion in its vicinity, like the presence of an animal or a human being. It is typically equipped with a motion sensor —usually a passive infrared (PIR) sensor or an active infrared (AIR) sensor using an infrared light beam.
In a 2016 article for Cinema Journal, Cecilia Sayad explores the relationship between the found footage genre and reality.She asserts that the genre’s metaphorical framing, convincing audiences that films contain true unscripted footage, and its technical framing, mimicking amateur home videos and security footage, are key to what creates fear in the audience, dissolving the traditional ...
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Erich Salomon took images of European summit meetings and a session of the US Supreme Court in secret using an Ermanox camera hidden in his hat. Some classic early U.S. street photography – such as that of Paul Strand on the Lower East Side [2] – was obtained by fixing a second "dummy lens" to the camera, whereas the real shot was taken ...
As cameras became available to the general public, ghost photographs became common due to natural camera artifacts such as flash reflecting off dust particles, a camera strap or hair close to the lens, lens flare, pareidolia, or in modern times, deceptions using smart phone applications that add ghosts images to existing photographs.
Eaten Alive (known under various alternate titles, including Death Trap, Horror Hotel, and Starlight Slaughter, and stylized on the poster as Eaten Alive!) is a 1976 American horror film directed by Tobe Hooper, [1] and written by Kim Henkel, Alvin L. Fast, and Mardi Rustam.
Much to Ming-han's shock and surprise, he discovers Mao Mao's ghost is real. The taoist who officiated the ritual tells him that he shares a past-life connection with Mao Mao and therefore needs to solve his murder to be free of him. Unhappy about being married (and to a man), Ming-han begins to attempt to escape the marriage to no avail.