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This triad is consequently called the supertonic diminished triad. Like the supertonic minor triad found in a major key, the supertonic diminished triad has a predominant function, almost always resolving to a dominant functioning chord. [7] If the music is in a minor key, diminished triads can also be found on the raised seventh note, ♯ vii o.
For example, in root-position triad C–E–G, the intervals above bass note C are a third and a fifth, giving the figures 5 3. If this triad were in first inversion (e.g., E–G–C), the figure 6 3 would apply, due to the intervals of a third and a sixth appearing above the bass note E.
Similarly, the diminished triad can be named minor triad flat five, or minor triad diminished fifth (m ♭ 5, m o 5, min dim5). Again, the terminology and notation used for triads affects the terminology and notation used for larger chords, formed by four or more notes.
Inversion notation for Roman numeral analysis depicting both Arabic numeral and Latin letters. Roman numerals are sometimes complemented by Arabic numerals to denote inversion of the chords. The system is similar to that of Figured bass , the Arabic numerals describing the characteristic interval(s) above the bass note of the chord, the figures ...
The diminished fifth is often called a tritone in modern tonal theory, but functionally and notationally it can only resolve inwards as a diminished fifth and is therefore not reckoned a tritone—that is, an interval composed of three adjacent whole tones—in mid-renaissance (early 16th-century) music theory. [19]
The chord notation for the diminished seventh chord (assuming root C) is Cdim 7 or C o 7 (or Cm 6 ♭ 5 for the enharmonic variant). The notation Cdim or C o normally denotes a (three-note) diminished triad, but some jazz charts or other music literature may intend for these to denote the four-note diminished seventh chord instead.
A major ninth chord (e.g., Cmaj 9), as an extended chord, adds the major seventh along with the ninth to the major triad. Thus, a Cmaj 9 consists of C, E, G, B and D. When the symbol "9" is not preceded by the word "major" or "maj" (e.g., C 9), the chord is a dominant ninth.
In classical music from Western culture, a diminished third (Play ⓘ) is the musical interval produced by narrowing a minor third by a chromatic semitone. [ 1 ] [ 4 ] For instance, the interval from A to C is a minor third, three semitones wide, and both the intervals from A ♯ to C, and from A to C ♭ are diminished thirds, two semitones wide.
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