Search results
Results from the WOW.Com Content Network
Of those works published during Palestrina's lifetime, many were composed considerably earlier than their date of publication, and of the others a large number remained unpublished until the 19th century. The 32 volumes of Palestrina's collected works were published by Breitkopf & Härtel between 1862 and 1907.
Giovanni Pierluigi da Palestrina (between 3 February 1525 and 2 February 1526 – 2 February 1594) [n 1] was an Italian composer of late Renaissance music. The central representative of the Roman School , with Orlande de Lassus and Tomás Luis de Victoria , Palestrina is considered the leading composer of late 16th-century Europe.
List of compositions by Giovanni Pierluigi da Palestrina This page was last edited on 5 August 2024, at 15:52 (UTC). Text is ...
Palestrina was restricted by the musical practices of his day. It was common for him and his contemporaries to overcome this obstacle by creating very long pieces that can be divided into shorter works, each clearly distinguishable by their episodic character. A unity was created by building the work at large around a specific theme.
Palestrina (ancient Praeneste; ... Palestrina is the birthplace of composer Giovanni Pierluigi da Palestrina. ... It exhibits the most important works from the ...
Also known as Thomas Lupo The Elder; composer of several works, but solid attribution of many works to him or another of his relatives is difficult John Ward: 1571 – 1638 English Michael Praetorius: c. 1571 – 1621 German Filipe de Magalhães: 1571 – 1652 Portuguese Giovanni Battista Fontana: 1571 – 1630 Italian Stefano Venturi del Nibbio
Missa Papae Marcelli, or Pope Marcellus Mass, is a mass sine nomine by Giovanni Pierluigi da Palestrina.It is his best-known mass, [1] [2] and is regarded as an archetypal example of the complex polyphony championed by Palestrina.
Palestrina wrote this motet during times when complaints were being made about the plainness of religious works. He wrote it as a response against the complaints. He furthered the bounds of complexity by writing his choral compositions for six parts, and yet he made the Catholic liturgical music less complex by using fewer melismas and letting ...