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  2. Inlay - Wikipedia

    en.wikipedia.org/wiki/Inlay

    Inlay (ivory, red sandalwood, copper) on wooden casket. In a wood matrix, inlays commonly use wood veneers, but other materials like shells, mother-of-pearl, horn or ivory may also be used. Pietre dure, or coloured stones inlaid in white or black marbles, and inlays of precious metals in a base metal matrix, are other forms of inlay. Master ...

  3. Khatam - Wikipedia

    en.wikipedia.org/wiki/Khatam

    Detail of an Iranian jewel box decorated by khatam. Khātam (Persian: خاتم) is an ancient Persian technique of inlaying.It is a version of marquetry where art forms are made by decorating the surface of wooden articles with delicate pieces of wood, bone and metal precisely-cut intricate geometric patterns.

  4. Decorative box - Wikipedia

    en.wikipedia.org/wiki/Decorative_box

    A jewelry box, also known as a casket, is a receptacle for trinkets, ... Mahogany and satinwoods were most common, occasionally inlaid with marquetry, ...

  5. Casket (decorative box) - Wikipedia

    en.wikipedia.org/wiki/Casket_(decorative_box)

    An Italian jewelry casket, 1857, carved walnut, lined with red velvet. A casket [1] is a decorative box or container that is usually smaller than a chest and is typically decorated. In recent centuries they are often used as boxes for jewelry, but in earlier periods they were also used for keeping important documents and many other purposes. [2]

  6. Cloisonné - Wikipedia

    en.wikipedia.org/wiki/Cloisonné

    The Byzantines perfected a unique form of cloisonné icons. Byzantine enamel spread to surrounding cultures and a particular type, often known as "garnet cloisonné" is widely found in the Migration Period art of the "barbarian" peoples of Europe, who used gemstones, especially red garnets, as well as glass and enamel, with small thick-walled cloisons.

  7. Niello - Wikipedia

    en.wikipedia.org/wiki/Niello

    Sasanian niello is a decorative technique used in metalworking during the Sasanian Empire (224-651 AD). This technique was particularly popular in Sasanian silverwork, adorning objects such as plates, bowls, ewers, and jewelry. The designs often featured scenes of hunting, courtly life, animals, and mythical creatures. [17]

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