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Geoffrey Robert Bardon AM (1940, Sydney – 6 May 2003) was an Australian school teacher.. Bardon studied law for three years at the University of Sydney, before changing to study art education at the National Art School in Sydney, graduating in 1965.
Papunya Tula: Art of the Western Desert. (1992) Geoffrey Bardon. Tuttle Publishers. ISBN 0-86914-160-0; Papunya Tula: Genesis and Genius. (2001) Eds. Hetti Perkins and Hannah Fink. Art Gallery of NSW in association with Papunya Tula Artists. ISBN 0-7347-6310-7. "Papunya Painting: Further Reading". National Museum of Australia.
In Australian Aboriginal art, a Dreaming is a totemistic design or artwork, which can be owned by a tribal group or individual. This usage of anthropologist W. E. H. Stanner's term was popularised by Geoffrey Bardon in the context of the Papunya Tula artist collective he established in the 1970s.
The openness of the Bardon era was at an end. Dotting and over-dotting, as an ideal means of concealing or painting over dangerous, secret designs, became a fashion at this stage. The art was made public, watered down for general exhibition, pointing to the uniqueness of the Geoffrey Bardon years - which like innocence, cannot be rediscovered.
This attention coincided with the worldwide art boom that occurred at this time. [citation needed] The predominant Aboriginal style, developed with assistance from art teacher Geoffrey Bardon at the Papunya community in 1971, featured many similarly sized dots carefully lying next to each other in distinct patterns. Instead, members of the ...
In 1971–1972, art teacher Geoffrey Bardon encouraged Aboriginal people in Papunya, north west of Alice Springs to put their Dreamings onto canvas. These stories had previously been drawn on the desert sand, and were now given a more permanent form.
Contemporary Indigenous art of the western desert began when Indigenous men at Papunya began painting in 1971, assisted by teacher Geoffrey Bardon. [5] Their work, which used acrylic paints to create designs representing body painting and ground sculptures, rapidly spread across Indigenous communities of central Australia, particularly following the commencement of a government-sanctioned art ...
Contemporary Indigenous art of the western desert began when Indigenous men at Papunya began painting in 1971, assisted by teacher Geoffrey Bardon. [10] Their work, which used acrylic paints to create designs representing body painting and ground sculptures, rapidly spread across Indigenous communities of central Australia, particularly following the commencement of a government-sanctioned art ...