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Although pottery figurines are found from earlier periods in Europe, the oldest pottery vessels come from East Asia, with finds in China and Japan, then still linked by a land bridge, and some in what is now the Russian Far East, providing several from 20,000 to 10,000 BCE, although the vessels were simple utilitarian objects.
Pottery is the process and the products of forming vessels and other objects with clay and other raw materials, which are fired at high temperatures to give them a hard and durable form. The place where such wares are made by a potter is also called a pottery (plural potteries).
Simple gray pottery forms with neckbands were the most common types found at Pueblo I sites, although redware and black-on-white forms also developed during the Pueblo I era. [ 1 ] [ 23 ] Utility grayware was found throughout the regions occupied by the Mogollon, Hokoma and Ancestral Puebloans (formerly referred to as the Anasazi).
Purple (black) and white clay were used to show the patterns. [18] A pattern is engraved on the vessel's body with a knife and the carved-away areas are filled with purple or white clay. When the clay dries the excess is removed, leaving it only in the carved areas, leaving a white or purple pattern. The entire vessel is coated in a colorless ...
Japanese pottery strongly influenced British studio potter Bernard Leach (1887–1979), who is regarded as the "Father of British studio pottery". [31] He lived in Japan from 1909 to 1920 during the TaishÅ period and became the leading western interpreter of Japanese pottery and in turn influenced a number of artists abroad.
The Spode porcelain was often embossed and decorated in Oriental patterns. [57] The "willow pattern" is thought to have been introduced about 1780 by Thomas Turner of the Caughley Pottery Works in Shropshire. It takes elements from various Chinese designs, including a willow tree, a pair of doves, a pavilion and three figures on a bridge over a ...
The Willow pattern is a distinctive and elaborate chinoiserie pattern used on ceramic tableware. It became popular at the end of the 18th century in England when, in its standard form, it was developed by English ceramic artists combining and adapting motifs inspired by fashionable hand-painted blue-and-white wares imported from Qing dynasty ...
As defined and used by Southwestern archaeologists, a ware is "a large grouping of pottery types which has little temporal or spatial implication but consists of stylistically varied types that are similar technologically and in method of manufacture", and "a defined ware is a ceramic assemblage in which all attributes of paste composition (with the possible exception of temper) and of surface ...