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French Empire mantel clock (1822) depicting the nereid Galatea velificans. The Nereids symbolized everything that is beautiful and kind about the sea. Their melodious voices sang as they danced around their father. They are represented as beautiful women, crowned with branches of red coral and dressed in white silk robes trimmed with gold.
Galatea (/ ˌ ɡ æ l ə ˈ t iː ə /; Ancient Greek: Γαλάτεια; "she who is milk-white") [1] is the post-antiquity name popularly applied to the statue carved of ivory alabaster by Pygmalion of Cyprus, which then came to life in Greek mythology.
In Greek mythology, Galatea (/ ˌ ɡ æ l ə ˈ t iː ə /; Ancient Greek: Γαλάτεια; "she who is milk-white") [1] was the name of the following figures: Galatea, a Nereid who loved the shepherd Acis, and was loved by the cyclops Polyphemus. [2] Galatea, the statue of a woman created by Pygmalion and brought to life by Aphrodite. [3]
La Fábula de Polifemo y Galatea (The Fable of Polyphemus and Galatea), or simply the Polifemo, is a literary work written by Spanish poet Luis de Góngora y Argote.The poem, though borrowing heavily from prior literary sources of Greek and Roman Antiquity, attempts to go beyond the established versions of the myth by reconfiguring the narrative structure handed down by Ovid.
Acis and Galatea (/ ˈ eɪ s ɪ s /, / ɡ æ l ə ˈ t iː. ə / [1] [2]) are characters from Greek mythology later associated together in Ovid's Metamorphoses.The episode tells of the love between the mortal Acis and the Nereid (sea-nymph) Galatea; when the jealous Cyclops Polyphemus kills Acis, Galatea transforms her lover into an immortal river spirit.
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Polyphemus and Galatea: The cyclops sings a song declaring his love for the nereid (Metamorphoses 13.728ff). Attended by two other sea nymphs, Galatea is shown as a velificans. Hercules and Iole: After murdering Iole's family, Hercules took her as his concubine.
Greek deities were abundantly used in Greco-Buddhist art, so too their depiction elements, as with the Boreas and its velificatio element. Boreas became the Japanese wind god Fujin through the Greco-Buddhist Wardo/Oado and Chinese Feng Bo/Feng Po ("Uncle Wind"; among various other names), spreading the velificatio as an element of portraying deities of the sky.