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Masque of the Red Death is a 1989 American [1] horror film produced by Roger Corman, [2] [3] and directed by Larry Brand, [2] starring Adrian Paul and Patrick Macnee. [4] The film is a remake [ 5 ] of the 1964 picture of the same name which was directed by Roger Corman.
In the 1909 novel The Phantom of the Opera, as well as subsequent film and stage adaptations, the title character appears disguised as The Red Death at a ball.; In Chapter 4 of the 1940 movie serial Drums of Fu Manchu, "The Pendulum of Doom", the hero Allan Parker is trapped in a "Pit and the Pendulum" peril (Fu Manchu actually states that the Poe story inspired this torture device).
The Masque of the Red Death (1964 film) The Mystery of Marie Roget (film) O. The Oblong Box (film) P. The Plague of Florence; The Premature Burial (film) R. The Raven ...
Pages in category "Works based on The Masque of the Red Death" The following 9 pages are in this category, out of 9 total. This list may not reflect recent changes .
Film critic Tim Lucas and writer Ernesto Gastaldi have both noted the film's strong influence on numerous subsequent Italian thrillers, from Mario Bava's The Whip and the Body (1963) to Dario Argento's Deep Red (1975). [7] [8] Stephen King has described one of Pit ' s major shock sequences as being among the most important moments in post-1960 ...
Many have said that Corman's influence taught them some of the ins and outs of filmmaking. [181] In the extras for the DVD of The Terminator, director James Cameron asserts, "I trained at the Roger Corman Film School." The British director Nicolas Roeg served as the cinematographer on The Masque of the Red Death. [182]
"The Masque of the Red Death" (originally published as "The Mask of the Red Death: A Fantasy") is a short story by American writer Edgar Allan Poe, first published in 1842. The story follows Prince Prospero's attempts to avoid a dangerous plague , known as the Red Death, by hiding in his abbey .
These co-productions were influenced by the lack of large film stars in Italy. [6] To avoid high costs or larger stars, producers created anthology films involving three or four short narratives whose combined running time was that of a regular feature film , as in Yesterday, Today and Tomorrow (1963). [ 6 ]