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There are many styles of traditional and modern music of Ghana, due to Ghana's worldwide geographic position on the African continent. [1] [2] [3] The best known modern genre originating in Ghana is Highlife. [4] For many years, Highlife was the preferred music genre until the introduction of Hiplife and many others. [5] [6]
Traditional customs and contemporary medical methods are combined to create Ghana's health culture. For a variety of illnesses, many Ghanaians turn to traditional medicine, frequently seeking the aid of herbalists and spiritual healers. [38] This is especially true in rural areas, where there may be limited access to official healthcare facilities.
The Fanti Osibisaaba pioneered Africanised cross-fingering guitar techniques which developed to be Ghanaian Highlife, Maringa of Sierra Leone, the Juju music of western Nigeria and "dry" music of Central Africa. [1] Later in 1930, in rural Ghana,there was a fusion with traditional Akan "seprewa" or harp-lute.
Music of Ghanaian Origin also known as MOGO is a celebration of music originating from Ghana. It started in 2007. It started in 2007. It was initially an annual one-day event [ 1 ] [ 2 ] but in 2015 was extended into a one-week festival and named MOGO Festival.
The music of West Africa has a significant history, and its varied sounds reflect the wide range of influences from the area's regions and historical periods. Traditional West African music varies due to the regional separation of West Africa, yet it can be distinguished by two distinct categories: Islamic music and indigenous secular music.
SK Kakraba is a Ghanaian musician and performer of the country's traditional music. He makes and performs gyils, a xylophone containing 14 suspended wooden slats stretched over calabash gourds containing resonators. [1] He was taught to build the instruments using a rare wood known by the Lobi as neura. Kakraba explained: "It's a very hard ...
Ewe music is the music of the Ewe people of Togo, Ghana, and Benin, West Africa. Instrumentation is primarily percussive and rhythmically the music features great metrical complexity. Its highest form is in dance music including a drum orchestra, but there are also work (e.g. the fishing songs of the Anlo migrants [1]), play, and other songs.
The idea for the Pan-African Orchestra was conceived by Nana Danso Abiam while he was a student (under Professor Kwabena Nketia) [8] at the Institute of African Studies at the University of Ghana, when the country was inspired by a nationalistic movement that prevailed during the rule of Ghana's first post-independence president Kwame Nkrumah.