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In tonal languages, tone names are the names given to the tones these languages use. Pitch contours of the four Mandarin tones In contemporary standard Chinese (Mandarin), the tones are numbered from 1 to 4.
This loss of correspondence is most notable in the case of the entering tone, syllables checked in a stop consonant [p̚], [t̚], or [k̚] in Middle Chinese, which has been lost from most dialects of Mandarin and redistributed among the other tones. In modern Chinese varieties, tones that derive from the four Middle Chinese tone classes may be ...
For example, Standard Chinese has four–five tones and the digits 1–5 or 0–4 are assigned to them; Cantonese has 6–9 tones, and the digits from 0 or 1 to 6 or 9 are assigned to them. In this case, Mandarin tone 4 has nothing to do with Cantonese tone 4, as can be seen by comparing the tone charts of Standard Chinese (Mandarin), Cantonese ...
Chart showing the relative changes in pitch for the four tones of Mandarin Chinese. On a scale of 1 to 5 with 5 being the highest pitch, the first tone remains constant at 5, the second tone rises from 3 to 5, the third tone falls from 2 to 1 and then rises to 4, and the fourth tone falls from 5 to 1. Source: Self-published work by Wereon ...
The following other wikis use this file: Usage on ar.wikipedia.org لغة نغمية; Usage on de.wikipedia.org Töne des Hochchinesischen; Usage on eu.wikipedia.org
我 wǒ I 给 gěi give 你 nǐ you 一本 yìběn a 书 shū book [我給你一本書] 我 给 你 一本 书 wǒ gěi nǐ yìběn shū I give you a book In southern dialects, as well as many southwestern and Lower Yangtze dialects, the objects occur in the reverse order. Most varieties of Chinese use post-verbal particles to indicate aspect, but the particles used vary. Most Mandarin ...
The Chinese names of the main four tones are respectively 阴平; 陰平; yīnpíng; 'dark level', 阳平; 陽平; yángpíng; 'light level', 上; shǎng [23] [24] or shàng [25] ('rising'), and 去; qù; 'departing'. As descriptions, they apply rather to the predecessor Middle Chinese tones than to the modern tones.
The four tones of Middle Chinese—level (平), rising (上), departing (去), and entering (入) tones—are categorized into level (平) tones and oblique (仄) tones. Tones that are not level are oblique. When tone patterns are used in poetry, the pattern in which level and oblique tones occur in one line is often the inverse of that of the ...