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The rod, perch, or pole (sometimes also lug) is a surveyor's tool [1] and unit of length of various historical definitions. In British imperial and US customary units, it is defined as 16 + 1 ⁄ 2 feet, equal to exactly 1 ⁄ 320 of a mile, or 5 + 1 ⁄ 2 yards (a quarter of a surveyor's chain), and is exactly 5.0292 meters.
College of DuPage is a public community college with its main campus in Glen Ellyn, Illinois. [3] The college also owns and operates satellite campuses in Addison, Carol Stream, Naperville and Westmont. [4] [5] With more than 20,000 students, the College of DuPage is the second largest provider of undergraduate education in Illinois, after ...
Richard Cohn (born 1955) is a music theorist and Battell Professor of Music Theory at Yale. He was previously chair of the department of music at the University of Chicago . Early in his career, he specialized in the music of Béla Bartók , but more recently has written about Neo-Riemannian theory , metric dissonance, equal divisions of the ...
Some of the material covered in the course involves low sight reading, in-depth terminology, musical phrasing and musical composition, music history, chord structure, cadences, musical texture, and other areas of music theory. In addition, part-writing is an integral part of the course, as it takes up half of the 8 units covered. This course is ...
In music, a common tone is a pitch class that is a member of, or common to (shared by) two or more chords or sets. Typically, it refers to a note shared between two chords in a chord progression. According to H.E. Woodruff: Any tone contained in two successive chords is a common tone.
The Lydian Chromatic Concept of Tonal Organization is a 1953 jazz music theory book written by George Russell. The book is the founding text of the Lydian Chromatic Concept (LCC), or Lydian Chromatic Theory (LCT). Russell's work postulates that all music is based on the tonal gravity of the Lydian mode.
Riemannian theory, in general, refers to the musical theories of German theorist Hugo Riemann (1849–1919). His theoretical writings cover many topics, including musical logic, [ 1 ] notation, [ 2 ] harmony, [ 3 ] melody, [ 4 ] phraseology, [ 5 ] the history of music theory, [ 6 ] etc.
In musical set theory, a Forte number is the pair of numbers Allen Forte assigned to the prime form of each pitch class set of three or more members in The Structure of Atonal Music (1973, ISBN 0-300-02120-8). The first number indicates the number of pitch classes in the pitch class set and the second number indicates the set's sequence in ...