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Andraé Edward Crouch / ˈ ɑː n d r eɪ / (July 1, 1942 – January 8, 2015) was an American gospel singer, songwriter, arranger, record producer and pastor. Referred to as "the father of modern gospel music" by contemporary Christian and gospel music professionals, [1] Crouch was known for his compositions "The Blood Will Never Lose Its Power", "My Tribute (To God Be the Glory)" and "Soon ...
Mighty Wind is a live album that was released to celebrate gospel musician Andrae Crouch's 40th year of recording gospel music. [2] Crouch was able to get many well-known gospel singers to guest star on the project including Marvin Winans ("All Because of Jesus"), Karen Clark-Sheard ("Jesus Is Lord"), Fred Hammond ("Oh Give Thanks") and Crystal Lewis ("We Give You Glory").
Take Me Back is the sixth album release for Jesus music/gospel music performers Andraé Crouch and the Disciples. The album was digitally remastered and re-released in 2003. [ 1 ]
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1996: Tribute: The Songs of Andrae Crouch; various artists (Warner Bros.) "My Tribute (To God Be the Glory)" 1997: Live In Paris; Oslo Gospel Choir (featuring Andrae Crouch and Kristle Murden) (Norske Gram) [3] 1997: Blood on the Dance Floor: History in the Mix; Michael Jackson (Epic) 1996: Vestal & Friends; Vestal Goodman (Pamplin Music) "You ...
Andraé Crouch and his choir were signed for adding background vocals to "Like a Prayer". Crouch studied the song's lyrics to make sure that it was not against their religious beliefs. Madonna wanted to have gospel music as part of "Like a Prayer", with virtually no instrumentation, only the sound of an organ and her singing. [1]
WOW Gospel 2012 is a gospel music compilation album from the award-winning WOW series. Released on January 24, 2012, the double CD album features thirty contemporary gospel hits. Released on January 24, 2012, the double CD album features thirty contemporary gospel hits.
Handel's Messiah: A Soulful Celebration is a gospel album by various artists, released in 1992 on Warner Alliance.Executive produced by Norman Miller, Gail Hamilton and Mervyn Warren, it is a reinterpretation of the 1741 oratorio Messiah by George Frideric Handel, and has been widely praised for its use of multiple genres of African-American music, including spirituals, blues, ragtime, big ...