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The marble figure, copied from Scheemakers's 18th-century monument to Shakespeare in Poets' Corner, Westminster Abbey, [2] stands on a pedestal flanked by dolphins at the centre of a fountain. It is the result of improvements to the gardens made by the financier Albert Grant , who bought the Square in 1874 and had it refurbished to a design by ...
The Chandos portrait is an oil painted portrait thought to depict William Shakespeare (1564–1616). Painted between 1600 and 1610, it may have served as the basis for the engraved portrait of Shakespeare [citation needed] used in the First Folio in 1623. [1] It is named after the 3rd Duke of Chandos, who formerly owned the painting.
The Cobbe portrait. The Cobbe portrait is an early Jacobean panel painting of a gentleman which has been argued to be a life portrait of William Shakespeare.It is displayed at Hatchlands Park in Surrey, a National Trust property, and the portrait is so-called because of its ownership by Charles Cobbe, Church of Ireland (Anglican) Archbishop of Dublin (1686–1765).
Joshua Reynolds' Puck (1789), painted for Boydell's Shakespeare Gallery, is modelled after Parmigianino's Madonna with St. Zachary, the Magdalen, and St. John [1]. The Boydell Shakespeare Gallery in London, England, was the first stage of a three-part project initiated in November 1786 by engraver and publisher John Boydell in an effort to foster a school of British history painting.
Several studies of the sculpture survive, and some moulds and plaster busts were sold in the studio sale after Roubiliac's death in 1762. A 42.2 cm (16.6 in)–high terracotta maquette (a preliminary sketch model) of the whole statue dated to 1757 was bought by the Victoria and Albert Museum in 1867.
Following its completion in 1888, the monument was originally erected in the gardens behind what was then the Shakespeare Memorial Theatre (now the Swan Theatre). [3]The monument was unveiled in Stratford-Upon-Avon accompanied by a speech from Sir Francis Philip Cunliffe-Owen, director of the South Kensington Museum (now the V&A Museum), and Oscar Wilde reading a poem dedicated to the monument ...
The Wadlow portrait Believed to be a portrait of William Shakespeare painted in 1595. [20] It was bought in the late 1960s by Peter Wadlow from a firm of picture restorers and art dealers called Pryse Hughes. [21] Peter Wadlow was told that it was painted in 1595. The painting has the number 31 at the top left. William Shakespeare was 31 in ...
Proponents of the Shakespeare authorship question, who assert that someone other than Shakespeare was the real author of the plays attributed to him, have claimed to find hidden signs in the portrait pointing to this supposed secret. Indeed, Dover Wilson suggested that the poor quality of the Droeshout and funeral effigy images are the ...
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