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Adrian Johann Frutiger [1] (Swiss Standard German: [ˈaːdriaːn ˈjoːhan ˈfruːtɪɡər]; 24 May 1928 – 10 September 2015) was a Swiss typeface designer who influenced the direction of type design in the second half of the 20th century.
Univers (French pronunciation: ⓘ) is a sans-serif typeface family designed by Adrian Frutiger and released by his employer Deberny & Peignot in 1957. [1] Classified as a neo-grotesque sans-serif, one based on the model of nineteenth-century German typefaces such as Akzidenz-Grotesk, it was notable for its availability from the moment of its launch in a comprehensive range of weights and widths.
Serifa is a slab serif typeface family created by Adrian Frutiger in 1967. [1] The typeface is based ... Hepta Slab is a free and open-source font that is quite ...
New Swiss road signs near Lugano use the typeface ASTRA-Frutiger.. Frutiger is a sans-serif typeface by the Swiss type designer Adrian Frutiger.It is the text version of Frutiger's earlier typeface Roissy, commissioned in 1970/71 [6] by the newly built Charles de Gaulle Airport at Roissy, France, which needed a new directional sign system, which itself was based on Concorde, a font Frutiger ...
OCR-B is a monospace font developed in 1968 by Adrian Frutiger for Monotype by following the European Computer Manufacturer's Association standard. Its function was to facilitate the optical character recognition operations by specific electronic devices, originally for financial and bank-oriented uses.
Frutiger's Didot revival, which is bundled with macOS, was specifically intended for display use and not for body text, and adds in addition an even more delicate headline font. [13] [14] A libre open source implementation of Didot including the Cyrillic and Greek alphabet was released under the name Theano Didot by the Russian historian Alexey ...
Avenir is a geometric sans-serif typeface designed by Adrian Frutiger in 1987 [1] and released in 1988 by Linotype GmbH.. The word avenir is French for ' future '.As the name suggests, the family takes inspiration from the geometric style of sans-serif typeface developed in the 1920s that took the circle as a basis, such as Erbar and Futura.
Egyptienne was designed in 1956 by Adrian Frutiger for the Fonderie Deberny et Peignot and was the first new text face created for the process of phototypesetting. The x-height is high, and some lowercase characters, especially a and e bear comparison with other Frutiger typefaces, especially Meridien and Serifa. Egyptienne shows historical ...