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Similar instrument called barbat (Persian: بربت) or barbud was a lute of Greater Iranian or Persian origin. Unlike the short-necked unfretted oud , the buzuq has a longer neck, smaller body and frets tied to the neck, which can be moved to produce the microtonal intervals used in the many maqamat (musical modes).
The Kemençe of the Black Sea (Turkish: Karadeniz kemençesi), also known as Pontic kemenche or Pontic lyra (Greek: Ποντιακή λύρα), is a box-shaped lute (321.322 in the Hornbostel-Sachs system), while the classical kemençe (Turkish: Klasik kemençe or Armudî kemençe, Greek: Πολίτικη Λύρα) is a bowl-shaped lute (321.321).
The bağlama is a synthesis of historical musical instruments in Central Asia and pre-Turkish Anatolia. It is partly descended from the Turkic komuz . The kopuz , or komuz , differs from the bağlama in that it has a leather-covered body and two or three strings made of sheep gut, wolf gut, or horsehair.
Known as a lavuta (լավութա) in Armenian, also occasionally called Politiko Laouto (Lute from Constantinople) in Greek, is an instrument that was popular in the early 20th century, particularly among the Greek and Armenian communities of Istanbul, but also the Turkish community, it was one of the many instruments played by noted Turk Tanburi Cemil Bey.
The temir komuz (sometimes temir qomuz meaning 'iron komuz/qomuz', ooz komuz meaning 'mouth komuz', or gubuz) is a Kyrgyz jaw harp, while the komuz is a three-stringed fretless lute. As an instrument, the temir komuz is unrelated to the komuz in terms of style and structure; however, it takes its name from the other popular Turkic instrument.
The komuz or qomuz (Kyrgyz: комуз Kyrgyz pronunciation:, Azerbaijani: Qopuz, Turkish: Kopuz) is an ancient fretless string instrument used in Central Asian music, related to certain other Turkic string instruments, the Mongolian tovshuur, and the lute. [1] The instrument can be found in Turkic ethnic groups, from China to Turkey.
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The Shahrud (Turkish: Şehrud, from Persian: شاهرود, DMG šāh-rūd or šāh-i-rūd) was a short-necked lute, illustrated in the Surname-i Hümayun, resembling an oud or barbat, but being much larger. [1] The larger size gave the instrument added resonance and a deeper range, like the modern mandobass, mandolone or Algerian mandole.
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