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Wolfgang Amadeus Mozart [a] [b] (27 January 1756 – 5 December 1791) was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works representing virtually every Western classical genre of his time.
— Wolfgang Amadeus Mozart: Quotes 16. Portal:Classical music/Quotes/16 “ My faith is the grand drama of my life. I'm a believer, so I sing words of God to those ...
Reproduction of the original manuscript of Mozart's canon "Difficile lectu". The words "lectu mihi mars" were intended to be heard as "Leck du mich im Arsch" ("lick my arse"), a phrase commonly used in Mozart's family circle. [1] Wolfgang Amadeus Mozart displayed scatological humour in his letters and multiple recreational compositions. This ...
Don Giovanni (Italian pronunciation: [ˌdɔn dʒoˈvanni]; K. 527; Vienna (1788) title: Il dissoluto punito, ossia il Don Giovanni, literally The Rake Punished, or Don Giovanni) is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte.
A Masonic lodge meeting of Mozart's day, once thought to portray Mozart's own lodge. [1] Oil painting (1789), Wienmuseum Vienna. For the last seven years of his life Wolfgang Amadeus Mozart was a Mason. The Masonic order played an important role in his life and work.
"Leck mich im Arsch" (German for "Lick me in the arse") is a canon in B-flat major composed by Wolfgang Amadeus Mozart, K. 231 (K. 382c), with lyrics in German. It was one of a set of at least six canons probably written in Vienna in 1782. [1]
The Marriage of Figaro (Italian: Le nozze di Figaro, pronounced [le ˈnɔttse di ˈfiːɡaro] ⓘ), K. 492, is a commedia per musica (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786.
The first movement briefly quotes the famous Hallelujah Chorus from Handel's Messiah in the exposition. The slow movement has a siciliano character and meter which was rare in Mozart's earlier symphonies (only used in one of the slow movements of the "Paris") but would appear frequently in later works such as No. 38 and No. 40. [3]