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Jasperware vase and cover, Wedgwood, about 1790, in the classic colours of white on "Wedgwood Blue". The design incorporates sprig casts of the muses supplied by John Flaxman, Sr. [1] Victoria and Albert Museum, London. Jasperware, or jasper ware, is a type of pottery first developed by Josiah Wedgwood in the 1770s.
'Blue flowers/patterns') covers a wide range of white pottery and porcelain decorated under the glaze with a blue pigment, generally cobalt oxide. The decoration was commonly applied by hand, originally by brush painting, but nowadays by stencilling or by transfer-printing , though other methods of application have also been used.
The company's signature design, Seagull, was created in 1892 by designer Fanny Garde (1855-1925). The modest, classic design features flying seagulls against pale blue backgrounds, sea horse handles and shaded patterns of scales around the edges.
Characteristically the background colour is white and the image blue, but various factories have used other colours in monochrome tints and there are Victorian versions with hand-touched polychrome colouring on simple outline transfers. In the United States of America, the pattern is commonly referred to as Blue Willow.
American art pottery (sometimes capitalized) refers to aesthetically distinctive hand-made ceramics in earthenware and stoneware from the period 1870-1950s. Ranging from tall vases to tiles, the work features original designs, simplified shapes, and experimental glazes and painting techniques.
The pottery was painted solid white with distinctive blue designs. Pottery was also produced using a tin based white glaze and coloured glaze designs in blue, green, yellow, and brown, rather than just blue on a white background, in a style that is referred to as Maiolica .
Flow blue vegetable server in the "Normandy" pattern produced by Staffordshire potter Johnson Brothers c. 1890. Most flow blue ware is a kind of transferware, where the decorative patterns were applied with a paper stencil to often white-glazed blanks, or standard pottery shapes, though some wares were hand painted. The stencils burned away in ...
The Blue Onion pattern was designed by Johann Gregor Herold in 1739 likely inspired by a Chinese bowl from the Kangxi period. The pattern it was modelled after by Chinese porcelain painters, featured pomegranates unfamiliar in Saxony, so the plates and bowls produced in the Meissen factory in 1740 created their own style and feel.
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