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Roland VC-1 PCMCIA Card. Two expansion cards were released for the VariOS and V-Synth lineup. The VC-1 virtualizes a Roland D-50, [4] while the VC-2 can allow vocal processing with an external microphone, with effects such as a vocoder and choir. Roland has not announced plans to release any future expansion cards.
Roland System 100 Semi-modular synthesizer released in 1975 The Roland System 100 was an analog semi- modular synthesizer (having an internal fixed signal path that could be overridden by plugging patch cables into the front of the synth) manufactured by Japan 's Roland Corporation , released in 1975 and manufactured until 1979. [ 1 ]
The Roland JV-1080 (a.k.a. Super JV, Super JV-1080, or simply 1080) is a sample-based synthesizer/sound module in the form of a 2U rack. The JV-1080's synthesizer engine was also used in Roland's XP-50 workstation (1995). Due to its library of high-quality sounds and multi-timbral capabilities, it became a mainstay with film composers. [2]
The SRX are a series of expansion boards produced by Roland Corporation. First introduced in 2000, they are small boards of electronic circuitry with 64MB ROMs containing patches and rhythm sets . They are used to expand certain models of Roland synthesizers, music workstations, keyboards, and sound modules.
Pages in category "Roland synthesizers" The following 100 pages are in this category, out of 100 total. This list may not reflect recent changes. * Roland Corporation; A.
Roland 1 can also fire the Roland 2 and Roland 3 missiles. Roland 2 – This is the all-weather version mounted on the AMX-30R chassis (France and others), the Marder chassis (Germany, FlaRakPz 1, Heer, and others) and also as a shelter mount in either a static location or mounted on a 6×6 or 8×8 all-terrain truck (Germany, Roland FRR ...
The Roland V-Synth is a polyphonic synthesizer. It was released 2003 [3] and was Roland's flagship synthesizer at the time. It combines multiple oscillator technologies and a built in sampler. [4] It also features an arpeggiator and COSM filtering to aid the creation of new sounds.
It was the successor of the Roland System-100, a semi-modular keyboard. In the 1980s, shortly after its introduction, Richard Burgess of Landscape called the 100M "one of the best synthesisers on the market, with so many control functions available independently, whereas most synths only have one or two LFOs to do all the modulating."
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