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[4] Olrik's thought on 'epic laws' was part of a wider project, developed with Kristian Erslev, for understanding oral narrative (which Olrik called sagn in Danish), also including principles for the study of sources and a theory of transmission. [5] Although Olrik drew on non-European material, his focus was explicitly on European folk narrative.
Axel Olrik, from the posthumous publication of his Nogle grundsætninger for sagnforskning. Axel Olrik (3 July 1864 – 17 February 1917) was a Danish folklorist and scholar of mediaeval historiography, and a pioneer in the methodical study of oral narrative.
A traditional Kyrgyz manaschi performing part of the Epic of Manas at a yurt camp in Karakol. Oral tradition, or oral lore, is a form of human communication in which knowledge, art, ideas and culture are received, preserved, and transmitted orally from one generation to another.
This article falls within the scope of WikiProject Folklore, a WikiProject dedicated to improving Wikipedia's coverage of the topics of folklore and folklore studies.If you would like to participate, you may edit the article attached to this page, or visit the project's page, where you can join the project and/or contribute to discussion.
In contemporary literary studies, a theme is a central topic, subject, or message within a narrative. [1] Themes can be divided into two categories: a work's thematic concept is what readers "think the work is about" and its thematic statement being "what the work says about the subject". [2]
An epic is not limited to the traditional medium of oral poetry, but has expanded to include modern mediums including film, theater, television shows, novels, and video games. [1] The use of epic as a genre, specifically for epic poetry, dates back millennia, all the way to the Epic of Gilgamesh, widely agreed to be the first epic. But critique ...
Oral literature is especially rich in chiastic structure, possibly as an aid to memorization and oral performance. In Homer's Iliad and Odyssey, for instance, Cedric Whitman finds chiastic patterns "of the most amazing virtuosity" that simultaneously perform both aesthetic and mnemonic functions, permitting the oral poet easily to recall the basic structure of the composition during ...
Narrative is a powerful tool in the transfer, or sharing, of knowledge, one that is bound to cognitive issues of memory, constructed memory, and perceived memory. Jerome Bruner discusses this issue in his 1990 book, Acts of Meaning, where he considers the narrative form as a non-neutral rhetorical account that aims at "illocutionary intentions", or the desire to communicate meaning. [10]
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