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Horiyoshi III (Japanese: 三代目彫よし, Hepburn: Sandaime Horiyoshi, born 1946 as Yoshihito Nakano (中野 義仁)) is a horishi (tattoo artist), specializing in Japanese traditional full-body tattoos, or "suits," called Irezumi or Horimono.
Irezumi (入れ墨, lit. ' inserting ink ') (also spelled 入墨 or sometimes 刺青) is the Japanese word for tattoo, and is used in English to refer to a distinctive style of Japanese tattooing, though it is also used as a blanket term to describe a number of tattoo styles originating in Japan, including tattooing traditions from both the Ainu people and the Ryukyuan Kingdom.
Horiyasu executes only large-scale pieces. [12] [11] His style is described as bold and striking.[20]He is mainly focused on traditional tattooing themes such as Buddhist deities, dragons, tigers, samurai warriors, historical protective personalities, water and floral motifs (such as goldfish and peonies or carps), working mostly for male clients.
This eventually led to the modern yakuza tradition of full-body tattooing. [1] [4] Bakuto were also responsible for introducing the tradition of yubitsume, or self-mutilation as a form of apology, to yakuza culture. [3] [4] [5] Up until the mid-20th century, some yakuza organizations that dealt mostly in gambling described themselves as bakuto ...
In Japan, tattoos are associated with yakuza criminal groups, but there are non-yakuza groups such as Fukushi Masaichi's tattoo association that sought to preserve the skins of dead Japanese who have extensive tattoos.
Kamurochō appears in adaptation works of the Yakuza franchise outside of the video game series. For the Japanese and Asian market releases of the original game in 2005, Sega created a pre-order campaign limited bonus item called Kamutai Magazine, a full-color magazine which was a travel guide to various locations within the district. [9]
Called Ryū ga Gotoku 8 in Japan, this is the first main series game in the West to use the Like a Dragon title instead of Yakuza, due to the events of the game prior.
By the early 21st century, tattoos were stigmatized in Japanese culture, and many Japanese associated them with the Yakuza. [4] However, there was a movement to revive the practice as a symbol of female empowerment and of their Ryukyuan cultural heritage. [ 4 ]