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As explained in Wikipedia:Plot-only description of fictional works, an encyclopedia article about a work of fiction frequently includes a concise summary of the plot. The description should be thorough enough for the reader to get a sense of what happens and to fully understand the impact of the work and the context of the commentary about it.
An example of narrative perspective is a first-person narrative, in which some character ... The Narrator, Iran: Baqney 2011 (summary in english) White, Hayden (2010).
The term plot, however, in common usage (for example, a "film plot") can mean a narrative summary or story synopsis, rather than a specific cause-and-effect sequence. It can even refer to the whole narrative broadly.
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
[5] Beryl Bainbridge, Richard Adams, Ronald Harwood, and John Bayley also spoke positively of the work, while philosopher Roger Scruton described it as a "brilliant summary of story-telling". [6] Others have dismissed the book on grounds that Booker is too rigid in fitting works of art to the plot types above.
Summarization, or narrative summary, condenses events to convey, rather than to show, what happens within a story. [12] The "tell" in the axiom "Show, don't tell" is often in the form of summarization. Summarization may be used to: connect parts of a story; report details of less important events; skip events that are irrelevant to the plot
Inevitably, patients imagined being told they were a good person at heart, that they were forgiven, and that they could go on to lead a good life. Of course, these conversations rely on imagination. But the technique allows the patient to articulate in his or her own words an alternative narrative about his injury.
One example of a multi-level narrative structure is Joseph Conrad's novella Heart of Darkness, which has a double framework: an unidentified "I" (first person singular) narrator relates a boating trip during which another character, Marlow, uses the first person to tell a story that comprises the majority of the work.