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As explained in Wikipedia:Plot-only description of fictional works, an encyclopedia article about a work of fiction frequently includes a concise summary of the plot. The description should be thorough enough for the reader to get a sense of what happens and to fully understand the impact of the work and the context of the commentary about it.
In a plot summary, where you have limited space, you might choose technical terms over their more simplistic alternatives. Remember to wikilink terms that may not be understood in context. "A mobster gives the mercenary a variety of weapons as well as a UN passport that has to be injected under the skin of the neck."
A plot summary is a brief description of a piece of literature that explains what happens. In a plot summary, the author and title of the book should be referred to and it is usually no more than a paragraph long while summarizing the main points of the story. [40] [41]
A narrative, story, ... The different components of a fugue — subject, answer, exposition, discussion, and summary — can be cited as an example. [46]
Summarization, or narrative summary, condenses events to convey, rather than to show, what happens within a story. [12] The "tell" in the axiom "Show, don't tell" is often in the form of summarization. Summarization may be used to: connect parts of a story; report details of less important events; skip events that are irrelevant to the plot
Story structure or narrative structure is the recognizable or comprehensible way in which a narrative's different elements are unified, including in a particularly chosen order and sometimes specifically referring to the ordering of the plot: the narrative series of events, though this can vary based on culture.
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
Prose argues that gestures performed by fictional characters should not be "physical clichés" but illuminations that move the narrative. Chapter Ten: Learning from Chekhov; Prose gives examples of what she has learned from reading Anton Chekhov. As a creative writing teacher, she would disseminate advice to her students after reading their ...
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