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The lighting ratio is the ratio of the light levels on the brightest-lit to the least-lit parts of the subject; the brightest-lit areas are lit by both key (K) and fill (F). The American Society of Cinematographers (ASC) defines lighting ratio as (key+fill):fill, or (key+Σ fill ):Σ fill , where Σ fill is the sum of all fill lights.
The commander unit usually controls the remote flashes by using flashes of visible or infrared light, although TTL-capable radio triggering systems are available. The photographer can normally vary the light ratios between the different flashes. The technique of using preflashes to get a proper exposure is still used in automatic flash modes.
In the US lighting industry, foot-candles are a common unit of measurement used by architects to calculate adequate lighting levels. Foot-candles are also commonly used in the museum and gallery fields in the US, where lighting levels must be carefully controlled to conserve light-sensitive objects such as prints, photographs, and paintings, the colors of which fade when exposed to bright ...
In some cases, ambient light may be used as a fill, in which case additional lighting provides the stronger light source, for example in bounce flash photography. The relative intensity of ambient light and fill light is known as the lighting ratio, an important factor in calculating contrast in the finished image.
In a scene with strong or harsh lighting, the ratio between highlight and shadow luminance values may well be larger than the ratio between the film's maximum and minimum useful exposure values. In this case, adjusting the camera's exposure settings (which only applies changes to the whole image, not selectively to parts of the image) only ...
Low-key lighting is a style of lighting for photography, film or television. It is a necessary element in creating a chiaroscuro effect. [ 1 ] Traditional photographic lighting ( three-point lighting ) uses a key light , a fill light and a back light for illumination.
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Because the contrast is less during the golden hour, shadows are less dark, and highlights are less likely to be overexposed. In landscape photography, the warm color of the low sun is often considered desirable to enhance the colours of the scene. [6] It is the best time of day for natural photography when diffuse and warm light is desired. [7]