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Madonna and Child Enthroned with Saints from San Michele (c. 1497-1499) His first known documented commission was for two paintings for the Scuola Grande di San Marco in Venice. The paintings were contracted to depict the Deluge (flood myth) and another scene from Genesis, however their final status is unknown as they were destroyed in a fire ...
The Madonna and Child Enthroned with Saints (Young Baptist and Saints Peter, Catherine, Lucy, and Paul), [1] also known as the Colonna Altarpiece, is a painting by the Italian High Renaissance artist Raphael, executed c. 1503-1505. It is housed in the Metropolitan Museum of Art of New York City. It is the only altarpiece by Raphael in the ...
Madonna and Child with Saints or Madonna and Child with Saint Elizabeth, St Catherine and the Infant John the Baptist is an oil painting on canvas painted by the Italian Renaissance painter Paolo Veronese c.1565–1570. It is held in the Timken Museum of Art, in San Diego. [1]
Ecstasy of Saint Cecilia Between Saints Paul, John Evangelist, Augustine and Mary Magdalene: Pinacoteca Nazionale di Bologna, Italy: Oil on panel transferred to canvas 236 x 139 c. 1515: Portrait of Bindo Altoviti: National Gallery of Art, Washington, United States: Oil on panel 59,7 x 43,8 1515–1516: Christ Falls on the Way to Calvary
Jacopo della Quercia, Italian Renaissance sculptor of altarpieces, statues of saints, and statues of Mother Mary [457] [458] Diego Quispe Tito, Cuzco School painter of Virgin of Carmel Saving Souls in Purgatory and scenes of Christ [459] [460] Ignác Raab, Czech Jesuit who did notable paintings of saints [461] [462]
St. George and the Dragon is a small oil on wood cabinet painting by the Italian High Renaissance artist Raphael, painted c. 1505, and now in the National Gallery of Art in Washington, D.C. The saint wears the blue garter of the English Order of the Garter , reflecting the award of this decoration in 1504 to Raphael's patron Guidobaldo da ...
The Hall of the Saints or the Sala dei Santi is a room in the Borgia Apartment of the Vatican Palace, frescoed by the Italian Renaissance artist, Pinturicchio. It dates to 1491–1494 and was commissioned by Pope Alexander VI. The frescoes depict scenes from the lives of the saints.
The Francis paintings seem to be early experiments with landscape; the painter places rocks in the mid-ground, solving the problem of how to transition from foreground to background; a similar resolution is found in the lower-right wing of the Ghent Altarpiece. [25] The browns of the rocks and trees echo those of the robes of the saints.
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