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The San Marco Altarpiece (also known as Madonna and Saints) is a painting by the Italian early Renaissance painter Fra Angelico, housed in the San Marco Museum of Florence, Italy. It was commissioned by Cosimo de' Medici the Elder , and was completed sometime between 1438 and 1443.
The polychrome floor, and the architecture, including the base of the Madonna's throne, is depicted with the use of geometrical perspective, an innovation introduced in Italian early Renaissance art. [2] The saints portrayed are St John the Baptist and St Zenobius (patron saints of Florence), St Lucy (titular of the church where the painting ...
Apparition of the Virgin to St Bernard (1504–1507), Uffizi. Fra Bartolomeo or Bartolommeo OP (UK: / ˌ b ɑːr t ɒ l ə ˈ m eɪ oʊ /, US: /-t oʊ l-/, Italian: [bartolo(m)ˈmɛːo]; 28 March 1472 – 31 October 1517), also known as Bartolommeo di Pagholo, [1] Bartolommeo di San Marco, [2] Paolo di Jacopo del Fattorino, and his original nickname Baccio della Porta, [2] was an Italian ...
Madonna and Child Enthroned with Saints from San Michele (c. 1497-1499) His first known documented commission was for two paintings for the Scuola Grande di San Marco in Venice. The paintings were contracted to depict the Deluge (flood myth) and another scene from Genesis, however their final status is unknown as they were destroyed in a fire ...
The Saint Cecilia Altarpiece is an oil painting by the Italian High Renaissance master Raphael.Completed in his later years, in around 1516–1517, the painting depicts Saint Cecilia, the patron saint of musicians and Church music, listening to a choir of angels in the company of Saints Paul, John the Evangelist, Augustine and Mary Magdalene.
In the painting, four saints are shown: two sets of paired male and female saints. Furthest to the left of the composition is Saint Peter (pictured carrying the bible and the keys of heaven). [11] [10] Saint Peter is also seen with a yellow-orange mantle, which was finished with an arsenic sulfide mineral pigment. [14]
The Mond Crucifixion or Gavari Altarpiece is an oil on poplar panel dated to 1502–1503, making it one of the earliest works by Italian Renaissance artist Raphael, perhaps the second after the c.1499-1500 Baronci Altarpiece.
This painting in tempera on panel, like many Sienese paintings of the time, celebrates the life of the Virgin, the city's patron saint. [31] The Birth of the Virgin was the third painting in a series completed for Siena Cathedral, beginning with Duccio's Maestà and including Simone Martini's Annunciation. [32]
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