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Mary as the Queen of Heaven in Dante's Divine Comedy. Illustration by Gustave Doré. The Regina Caeli ("Queen of Heaven") is an anthem of the Catholic Church which replaces the Angelus during Eastertide, the fifty days from Easter Sunday to Pentecost Sunday. [24] It is named for its opening words in Latin. Of unknown authorship, the anthem has ...
Chant notation of the "Regina caeli" antiphon in simple tone "Regina caeli" (Ecclesiastical Latin: [reˈdʒina ˈtʃeli]; Queen of Heaven) is a musical antiphon addressed to the Blessed Virgin Mary that is used in the liturgy of the Roman Rite of the Catholic Church during the Easter season, from Easter Sunday until Pentecost.
Queen of Heaven was a title given to several ancient sky goddesses worshipped throughout the ancient Mediterranean and the ancient Near East. Goddesses known to have been referred to by the title include Inanna , Anat , Isis , Nut , Astarte , and possibly Asherah (by the prophet Jeremiah ).
Inanna [a] is the ancient Mesopotamian goddess of love, war, and fertility. She is also associated with sensuality, procreation, divine law, and political power.Originally worshipped in Sumer, she was known by the Akkadian Empire, Babylonians, and Assyrians as Ishtar [b] (and occasionally the logogram 𒌋𒁯).
Mary, the mother of Jesus in Christianity, is known by many different titles (Blessed Mother, Virgin Mary, Mother of God, Our Lady, Holy Virgin, Madonna), epithets (Star of the Sea, Queen of Heaven, Cause of Our Joy), invocations (Panagia, Mother of Mercy, God-bearer Theotokos), and several names associated with places (Our Lady of Loreto, Our Lady of Fátima).
Botticelli, the coronation of the Virgin. Ad Caeli Reginam is an encyclical of Pope Pius XII, given at Rome, from St. Peter's Basilica, on the feast of the Maternity of the Blessed Virgin Mary, the eleventh day of October, 1954, towards the end of the Marian year, in the sixteenth year of his Pontificate.
Regina coeli (Queen of Heaven), a Marian antiphon, was set by Wolfgang Amadeus Mozart three times during his time at the Salzburg Cathedral. The best-known composition of the Latin Regina caeli for Eastertide is K. 276, a setting for four soloists, choir and orchestra, probably written in 1779. He wrote two earlier settings, K. 108 and K 127 ...
In the early 16th century, Protestant reformers began to discourage Marian art, and some, like John Calvin and Zwingli, even encouraged its destruction.But after the Council of Trent in the mid-16th century confirmed the veneration of Marian paintings by Catholics, Mary was often painted as a Madonna with crown, surrounded by stars, standing on top of the world or the partly visible Moon.