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A quatrain is any four-line stanza or poem. There are 15 possible rhyme sequences for a four-line poem; common rhyme schemes for these include AAAA, AABB, ABAB, ABBA, and ABCB. [citation needed] "The Raven" stanza: ABCBBB, or AA,B,CC,CB,B,B when accounting for internal rhyme, as used by Edgar Allan Poe in his poem "The Raven" Rhyme royal: ABABBCC
In poetry, internal rhyme, or middle rhyme, is rhyme that occurs within a single line of verse, or between internal phrases across multiple lines. [1] [2] By contrast, rhyme between line endings is known as end rhyme. Internal rhyme schemes can be denoted with spaces or commas between lines. For example, "ac,ac,ac" denotes a three-line poem ...
Broken rhyme is a type of enjambement producing a rhyme by dividing a word at the line break of a poem to make a rhyme with the end word of another line. Cross rhyme matches a sound or sounds at the end of a line with the same sound or sounds in the middle of the following (or preceding) line. [8] A rhyme scheme is the pattern of rhyming lines ...
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Rhyme is always used, sometimes with double rhyme or internal rhymes in addition. In some poems, known as masnavi, the two halves of each couplet rhyme, with a scheme AA BB CC. In lyric poetry, the same rhyme is used throughout the poem at the end of each couplet, but except in the opening couplet, the two halves of each couplet do not rhyme ...
The third, "Farewell, O sun, Arcadia's clearest light", is the first rhyming sestina in English: it is in iambic pentameters and follows the standard end-word scheme, but rhymes ABABCC in the first stanza (the rhyme scheme necessarily changes in each subsequent stanza, a consequence of which is that the 6th stanza is in rhyming couplets ...
Missouri Poet Laureate David L. Harrison checks in with a column about couplets, which poets like Robert Frost and T.S. Eliot used to great effect.
A subverted rhyme, teasing rhyme or mind rhyme is the suggestion of a rhyme which is left unsaid and must be inferred by the listener. [1] A rhyme may be subverted either by stopping short, or by replacing the expected word with another (which may have the same rhyme or not).