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Morris Burke Parkinson (1847–1926) was an American photographer, best known for his "Cupid Awake" and "Cupid Asleep" photos, which were supplied in frames produced by the Ohio Art Company circa 1912. Parkinson was born around Buffalo, New York, but moved with his family to Oshkosh, Wisconsin soon after. [1]
Such framed, picture-like, wood-relief collages offer the artist an opportunity to explore the qualities of depth, natural color, and textural variety inherent in the material, while drawing on and taking advantage of the language, conventions, and historical resonances that arise from the tradition of creating pictures to hang on walls. The ...
The Snail (L'escargot) is a collage by Henri Matisse. The work was created from summer 1952 to early 1953. The work was created from summer 1952 to early 1953. It is pigmented with gouache on paper, cut and pasted onto a base layer of white paper measuring 9'4 3 ⁄ 4 " × 9' 5" (287 × 288 cm).
Another collage by Myles, The Dragon Spirit, was made from a selection of 3,000 images that Myles took with a Nikon camera, with the final image being made from 300–400 of these pictures. [7] He took over 12,000 photographs for the two commissions for ITN. Myles' ideas about his work and photography have been expressed by the artist himself:
Much as a collage is composed of multiple facets, artists also combine montage techniques. A series of black and white "photomontage projections" by Romare Bearden (1912–1988) is an example. His method began with compositions of paper, paint, and photographs put on boards measuring 8½ × 11 inches.
Edelson intended the collage to "identify and commemorate women artists, who were getting little recognition at the time, by presenting them as the grand subject—while spoofing the patriarchy for cutting women out of positions of power and authority." [3] A lithograph edition of 50 prints was subsequently created.
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Murdering Airplane (1920) is a collage by the German dadaist Max Ernst. Early publications identify this piece as simply Untitled collage. [1]: 33 & 145 p. [2]: 40–41 & 208 pp. One book, in which Max Ernst made some contributions, identifies the piece as "Untitled or The Deadly Female Aeroplane (L'avionne meurtrière)". [3]: 76 p.
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