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Social sculpture is a phrase used to describe an expanded concept of art that was invented by the artist and founding member of the German Green Party, Joseph Beuys. Beuys created the term "social sculpture" to embody his understanding of art's potential to transform society.
The Social Sculpture Lab continues to engage with, develop and share Beuys' social sculpture understandings through such initiatives as the 7000 HUMANS Global Social Forest,. which has close connections with Beuys' 7000 Oaks, Sacks' social sculpture-connective practice methodologies, and a growing network of Social Sculpture Hubs in Germany ...
Bishop's book Artificial Hells: Participatory Art and the Politics of Spectatorship (2012) is the first historical and theoretical overview of socially engaged participatory art, best known in the U.S. as "social practice." In it, Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a ...
"Elemental Sculpture" was published by Cambridge Scholars Publishing in 2013 in English and by Altera Publishing House in Bulgarian. [3] The doctorate is a study in the field of contemporary sculpture, describing an existing but unexplored trend in the development of relationships between sculpture and natural elements, called by the author Elemental Sculpture.
Social Theory and Practice is a peer-reviewed academic journal that features discussion of theoretical and applied questions in social, political, legal, economic, educational, and moral philosophy, including critical studies of classical and contemporary social philosophers. Established in 1970, it publishes original philosophical work by ...
e-flux is a publishing platform and archive, artist project, curatorial platform, and e-mail service founded in 1998. [1] The arts news digests, events, exhibitions, schools, journal, books, and art projects produced and/or disseminated by e-flux describe strains of critical discourse surrounding contemporary art, culture, and theory internationally. [2]
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"New genre public art" is defined by Suzanne Lacy as "socially engaged, interactive art for diverse audiences with connections to identity politics and social activism". [16] Mel Chin 's Fundred Dollar Bill Project is an example of an interactive, social activist public art project. [ 33 ]