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Antonin Dvořák / About the composer stabatmater.info; Dvorák, Antonín / Stabat Mater op. 58 / Klaviersatz von Antonín Dvorák Bärenreiter; Kenneth Woods: Explore the Score- Dvorak Stabat Mater kennethwoods.net 20 December 2015; Tess Crebbin: Dvorak and his Stabat Mater op. 58 — a Choral Masterpiece scena.org 1 April 2004
In October 1881, Dvořák finished the sketches for his new opera Dimitrij, when he learned in the Vienna newspapers, that the Hellmesberger Quartet is proposing the performance of his new string quartet in December 1881.
secular cantata after a poem by Vítězslav Hálek; 2nd revision of B. 27 135: 69: 1884: Svatební košile: The Spectre's Bride: soprano, tenor, bass, chorus and orchestra: oratorio in 1 part, dramatic cantata, after a ballad by Karel Jaromír Erben: I. nos. 1-18 136: 12A/1: 1884: Dumka c moll: Dumka in C minor: piano: 137: 12A/2: 1884: Furiant ...
Dvořák's birthplace in Nelahozeves Antonín Dvořák birth record 1841 (SOA Prague). Dvořák was born in Nelahozeves near Prague, in the Austrian Empire, and was the eldest son of František Dvořák [] (1814–94) and his wife, Anna, née Zdeňková [] (1820–82). [6]
on YouTube, performed by the Dvořák Piano Quartet This page was last edited on 20 April 2023, at 17:13 (UTC). Text is available under the Creative Commons ...
The title page of the first series of Slavonic Dances with Dvořák's dedication to Mr. Wassman. The Slavonic Dances (Czech: Slovanské tance) are a series of 16 orchestral pieces composed by Antonín Dvořák in 1878 and 1886 and published in two sets as Op. 46 and Op. 72 respectively.
Before the performance in England, the cantata was first presented twice on 28 and 29 March 1885 in Plzeň under the composer's direction. The success of the performances at the Birmingham Triennial Music Festival on 27 August this year - involving a 400-strong choir, a 150-strong orchestra and with Dvořák on the conductor's podium ...
Biblical Songs was written between 5 and 26 March 1894, while Dvořák was living in New York City. It has been suggested that he was prompted to write them by news of a death (of his father Frantisek, or of the composers Tchaikovsky or Gounod, or of the conductor Hans von Bülow); but there is no good evidence for that, and the most likely explanation is that he felt out of place in the ...