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The chariot race in Ben-Hur was directed by Andrew Marton and Yakima Canutt, [123] filmmakers who often acted as second unit directors on other people's films. Each man had an assistant director, who shot additional footage. [ 124 ]
The chariot race in Ben-Hur was directed by Andrew Marton and Yakima Canutt, [111] filmmakers who often acted as second unit directors on other people's films. Each man had an assistant director, who shot additional footage. [ 112 ]
Ben-Hur: A Tale of The Christ had been a great success as a novel, and was adapted into a stage play which ran for twenty-five years. In 1922, two years after the play's last tour, the Goldwyn company purchased the film rights to Ben-Hur. The play's producer, Abraham Erlanger, put a heavy price on the screen rights.
For Ben-Hur (1959), Canutt staged the chariot race with nine teams of four horses. He trained Charlton Heston and Stephen Boyd to do their own charioteering. He and his crew spent five months on the race sequence. [26] In contrast to the 1925 film, not one horse was hurt, and no humans experienced serious injuries. His son Joe Canutt, while ...
With the chariot race as its central attraction and the character of Judah emerging as a "heroic action figure", [5] Ben-Hur enjoyed a wide popularity among readers, similar to the dime novels of its day; [6] however, its continued appearance on popular lists of great American literature remained a source of frustration for many literary ...
William Millar (4 July 1931 – 2 June 1977), better known by his stage name Stephen Boyd, was an actor from Northern Ireland.He emerged as a leading man during the late 1950s with his role as the villainous Messala in Ben-Hur (1959), a role that earned him the Golden Globe Award for Best Supporting Actor – Motion Picture.
Remembered for cinematic moments like the chariot race of Ben Hur, or the battle scenes of A Farewell to Arms, he worked as second unit director for Hollywood directors, including William Wyler, Fred Zinneman, Joseph Mankiewicz and Mike Nichols. Director John Landis referred to Marton as his mentor. [4]
There are hundreds of instances where a hanging miniature has been used. This is a very old device and when produced correctly it is almost completely undetectable. The chariot race in the 1925 version of Ben-Hur is a good example. Only a very careful examination will reveal that above the wall surrounding the stadium and the first rows of ...