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Climate change has been an occasional topic in fictional cinema. [13] Nicholas Barber opined in BBC Culture that Hollywood films seldom feature climate change mechanisms due to the difficulty of tying the topic to individual characters, and due to fears of alienating audiences; instead, impacts of climate change have been more frequently depicted as a consequence of nuclear or geoengineering ...
Born in Warrington, Lancashire, in 1952, Parker attended Strodes College, Egham and gained a BSc First Class Honours in Zoology at the University of Wales, Bangor.He worked as an exhibition scientist at the Natural History Museum, and as editor and managing editor at Dorling Kindersley Publishers, and commissioning editor at medical periodical GP, before becoming a freelance writer in the late ...
As of 2021 the remaining carbon budget for a 50-50 chance of staying below 1.5 degrees of warming is 460 bn tonnes of CO 2 or 11 + 1 ⁄ 2 years at 2020 emission rates. [13] Global average greenhouse gas per person per year in the late 2010s was about 7 tonnes [14] – including 0.7 tonnes CO 2 eq food, 1.1 tonnes from the home, and 0.8 tonnes from transport. [15]
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Tyndall Centre - A strategic assessment of scientific and behavioural perspectives on 'dangerous' climate change; WWF-UK - 2°C Is Too Much! Evidence and Implications of Dangerous Climate Change in the Arctic; Netherlands Environmental Assessment Agency - Meeting the European Union 2°C climate target: global and regional emission implications
Three-quarters of Americans believe the U.S. ought to participate in international efforts to address climate change, but a majority remain pessimistic about 28 percent of Americans don't want to ...
How to Avoid a Climate Disaster: The Solutions We Have and the Breakthroughs We Need is a 2021 book by Bill Gates. In it, Gates presents what he learned in over a decade of studying climate change and investing in innovations to address global warming and recommends technological strategies to tackle it.
Steve Parker uses sculpture, sound, and performance to create communal, democratic works that examine history and behavior. [5] Futurist Listening, at the CUE Art Foundation curated by Marcela Guerrero, featured sonic headwear, acoustic sculptures built from brass instruments, and graphic scores that utilized World War II tactics like jamming signals, coded messages, and warning sirens ...