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The earliest reference to the word "lyre" is the Mycenaean Greek ru-ra-ta-e, meaning "lyrists" and written in the Linear B script. [5] In classical Greek, the word "lyre" could either refer specifically to an amateur instrument, which is a smaller version of the professional cithara and eastern-Aegean barbiton, or "lyre" can refer generally to all three instruments as a family. [6]
In the lyre, he can be seen as presiding over the events represented in the panel affixed below his head. The lyre's wooden sound box had disintegrated by the time of its excavation, however Woolley's measurements of the box's imprint, as well as casts made from another lyre in the cemetery, have provided the basis for attempts at recreation. [1]
The "Golden Lyre of Ur" or "Bull's Lyre" is the finest lyre, and was given to the Iraq Museum in Baghdad. [10] Its reconstructed wooden body was damaged due to flooding during the Second Iraqi War; [11] [7] a replica of it is being played as part of a touring ensemble. [2] The "Golden Lyre" got its name because the whole head of the bull is ...
The Anglo-Saxon lyre, also known as the Germanic lyre, a rotta, or the Viking lyre, is a large plucked and strummed lyre that was played in Anglo-Saxon England, and more widely, in Germanic regions of northwestern Europe. The oldest lyre found in England dates before 450 AD and the most recent dates to the 10th century.
Cylix of Apollo with the chelys lyre, on a 5th-century BC drinking cup (). The chelys or chelus (Greek: χέλυς, Latin: testudo, both meaning "turtle" or "tortoise"), was a stringed musical instrument, the common lyre of the ancient Greeks, which had a convex back of tortoiseshell or of wood shaped like the shell.
The rotta (also rotte, chrotta or hrotta) is a type of lyre that was widely used in north-western Europe from pre-Christian to medieval times. It a descendant of the ancient lyre which originated in western Asia, was adopted in Ancient Egypt, and then adopted and adapted by the Ancient Greeks as the cithara. [1] One variant is the Anglo-Saxon lyre.
Lyrebirds are shy and difficult to approach, particularly the Albert's lyrebird, with the result that little information about its behaviour has been documented. When lyrebirds detect potential danger, they pause and scan the surroundings, sound an alarm, and either flee the area on foot, or seek cover and freeze. [7]
The sound box can be either bowl-shaped (321.21) or box-shaped (321.22). In the first case, the resonator is often a turtle shell, while the sound board is made of leather. [ 2 ] In the second case, usually both the body and the sound board are made of wood.