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Executive producers vary in involvement, responsibility and power. Some executive producers have hands-on control over every aspect of production, some supervise the producers of a project, while others are involved in name only. [4] The crediting of executive producers in the film industry has risen over time.
A production coordinator is a position in film, television or video production. In Los Angeles, it is called production office coordinator and abbreviated POC , and is a unionized position under the International Alliance of Theatrical Stage Employees (IATSE) and is governed by Local 871. [ 1 ]
In the cinema of the United States, a unit production manager (UPM) is the Directors Guild of America–approved title for the top below-the-line staff position, responsible for the administration of a feature film or television production. Non-DGA productions might call it the production manager or production supervisor.
Production is generally not considered a department as such, but rather as a series of functional groups. These include the film's producers and executive producers and production office staff such as the production manager, the production coordinator, and their assistants; the various assistant directors; the accounting staff and sometimes the locations manager and their assistants.
Typically a Production Office is established in the pre-production phase and continues until at least post-production. The Production Office usually includes positions such as, but not entirely made of, Production Supervisor, Production Office Coordinator, Assistant Production Office Coordinator, Production Secretary and Office Assistants ...
The second assistant director (second or 2nd AD) creates the daily call sheets from the production schedule, [5] in cooperation with the production coordinator. The "second" also serves as the "backstage manager", liaising with actors, putting cast through make-up and wardrobe, which relieves the "first" of these duties.
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