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Critical and Miscellaneous Essays is the title of a collection of reprinted reviews and other magazine pieces by the Scottish essayist, historian and philosopher Thomas Carlyle. Along with Sartor Resartus and The French Revolution it was one of the books that made his name. Its subject matter ranges from literary criticism (especially of German ...
"Occasional Discourse on the Negro Question" is an essay by the Scottish essayist Thomas Carlyle. It was first published anonymously in Fraser's Magazine for Town and Country of London in December 1849, [1] and was revised and reprinted in 1853 as a pamphlet entitled "Occasional Discourse on the Nigger Question". [2]
Thomas Carlyle (4 December 1795 – 5 February 1881) was a Scottish essayist, ... [93] In the 1840 edition of the Essays, Carlyle published "Fractions", ...
In his essays on Jean Paul, Carlyle rejects the dismissive, ironic humour of Voltaire and Molière, embracing the warm and sympathetic approach of Jean Paul and Cervantes. Carlyle establishes humour in many of his works through his use of characters, such as the Editor (in Sartor Resartus ), Diogenes Teufelsdröckh ( lit.
On Heroes, Hero-Worship, & the Heroic in History is a book by the Scottish essayist, historian and philosopher Thomas Carlyle, published by James Fraser, London, in 1841.It is a collection of six lectures given in May 1840 about prominent historical figures.
Carlyle was deeply impacted by the Revolutions of 1848 and his journeys to Ireland in 1846 and 1849 during the Great Famine.After struggling to formulate his response to these events, he wrote to his sister in January 1850 that he had "decided at last to give vent to myself in a Series of Pamphlets; 'Latter-Day Pamphlets' is the name I have given them, as significant of the ruinous overwhelmed ...
Reminiscences is a book by historian and social critic Thomas Carlyle, posthumously published in 1881, which contains two lengthy memoirs of the author's wife, Jane Welsh Carlyle, and friend Edward Irving, together with shorter essays on his father and some of the literary friends of his youth.
Some critics took issue with Carlyle's style, and his stance on the revolution. William H. Prescott found Carlyle's "attempt to colour so highly what nature has already over-coloured" to be "in very bad taste", producing "a grotesque and ludicrous effect"; he also took issue with Carlyle's "affectations of new-fangled words" and "trite" views. [16]
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