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The word "manea" is of Turkish origin: mâni is a form of Turkish folk song, in form of quatrains. [1] [4] The word "manea" is the singular form and it refers to the musical piece itself, as belonging to Manele genre. The accent is on the second syllable: maneá. The plural version, more commonly used, manele, refers to: the musical genre (e.g.:
The manele genre which is very popular in Romania is supported by Romani ethnic musicians, too. [20] It is thought of as having been made by Turkish Romani which brought Oriental influences mixed with Roma music and dance. It is generally thought of as lower class due to being associated with the Roma. [21]
Turbo-folk is a subgenre of contemporary South Slavic pop music that initially developed in Serbia during the 1990s as a fusion of techno and folk.The term was an invention of the Montenegrin singer Rambo Amadeus, who jokingly described the aggressive, satirical style of music as "turbo folk". [1]
Chalga (Bulgarian: чалга; often referred to as pop-folk, short for "popular folk" or ethno-pop, short for "ethnic pop") [2] [3] is a Bulgarian pop-folk music genre. Chalga or pop-folk is essentially a folk-inspired dance music genre, [4] with a blend of Bulgarian music (Bulgarian ethno-pop genre) [5] and also primary influences from Greek, Serbian, Turkish and Arabic, as well as American ...
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Following Valahia's dissolution in 2002, he started a solo career, concentrating on manele. In this period he collaborated with several well known manele singers. [2] His success is considered unusual, as he is one of the few ethnic Romanians in a genre perceived as Romani. Unlike some Romani counterparts, Costi Ioniță does not use a nickname.
Turkish folk music (Turkish: Türk Halk Müziği) is the traditional music of Turkish people living in Turkey influenced by the cultures of Anatolia and former territories in Europe and Asia. Its unique structure includes regional differences under one umbrella.
Tallava or Talava is a music genre originating from Albanian-speaking Roma communities in Kosovo as well as in North Macedonia, with a presence in Albania. [1] [2] [3] Having originated in the Roma community in Kosovo in the 1990s, it evokes regional Balkan musical styles (e.g., microtones, vocal glissando, and certain musical instruments) and has become popular in Albania and North Macedonia. [4]