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Eric Alfred Leslie Satie [n 1] (17 May 1866 – 1 July 1925), who signed his name Erik Satie after 1884, was a French composer and pianist. He was the son of a French father and a British mother. He was the son of a French father and a British mother.
Erik Satie, circa 1919. Socrate is a work for voice and piano (or small orchestra) by Erik Satie.First published in 1919 for voice and piano, in 1920 a different publisher reissued the piece "revised and corrected". [1]
Erik Agard (born 1993) is a crossword solver, constructor, and editor. He is the winner of the 2016 Lollapuzzoola Express Division, the 2018 American Crossword Puzzle Tournament (ACPT), a frequent contributor to the New York Times crossword puzzle, a crossword constructor for The New Yorker, the former USA Today crossword editor, and a former Jeopardy! contestant.
Erik Satie. In this list of Erik Satie's musical compositions, those series or sets comprising several pieces (e.g., Gnossienne 1, Gnossienne 2, etc.) with nothing but tempo indications to distinguish the movements by name, are generally given with the number of individual pieces simply stated in square brackets.
Vexations piano score. Vexations is a musical work by Erik Satie.Apparently conceived for keyboard (although the single page of manuscript does not specify an instrument), it consists of a short theme in the bass whose four presentations are heard alternatingly unaccompanied and played with chords above.
Erik Satie in army uniform, 1893 painting by Marcellin Desboutin [1]. The Sarabandes are three dances for solo piano composed in 1887 by Erik Satie.Along with the famous Gymnopédies (1888) they are regarded as his first important works, and the ones upon which his reputation as a harmonic innovator and precursor of modern French music, beginning with Debussy, principally rests. [2]
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Erik Satie. Le poisson rêveur (The Dreamy Fish) is an unfinished tone poem for solo piano composed between 1900 and 1901 by Erik Satie, based on a tale by "Lord Cheminot" (alias J. P. Contamine de Latour). The text does not survive and Satie's music went unpublished for decades. In performance the piece lasts about 6 minutes.