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A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
Hooray for Boobies is the third studio album by American rock band Bloodhound Gang.It was released on October 4, 1999, in the United Kingdom and on February 29, 2000, in the United States.
The lyrics reference the song's namesake, 1950s rock-and-roll singer Buddy Holly, and actress Mary Tyler Moore. Released on September 7, 1994—which would have been Holly's 58th birthday—the song reached number two on the US Billboard Modern Rock Tracks chart and number 18 on the Billboard Hot 100 Airplay chart.
"Here Comes My Girl" is a song written by Tom Petty and Mike Campbell, and recorded by Tom Petty and the Heartbreakers, their third single from their breakthrough hit 1979 album, Damn the Torpedoes. It peaked at number 59 on the U.S. Billboard Hot 100 on May 24, 1980.
the root note (e.g. C ♯) the chord quality (e.g. minor or lowercase m, or the symbols o or + for diminished and augmented chords, respectively; chord quality is usually omitted for major chords) whether the chord is a triad, seventh chord, or an extended chord (e.g. Δ 7) any altered notes (e.g. sharp five, or ♯ 5) any added tones (e.g. add2)
"Here Comes Your Man" opens with the Hendrix chord, favored by Pixies guitarist Joey Santiago and was used on "Tame". [12] The acoustic guitar plays a D–G–A chord progression, while Santiago plays a guitar riff which is the result of him double-tracking a 12-string Rickenbacker and a Telecaster.
"Along Comes Mary" is a song composed by Tandyn Almer, originally recorded by American sunshine pop band the Association. [7] It was the group's first hit, released in March 1966 as the lead single prior to their debut album, And Then... Along Comes the Association, which appeared in July. [8]
"Mary, Mary" is a song written by Michael Nesmith and first recorded by the Paul Butterfield Blues Band for their 1966 album East-West. Nesmith's band, the Monkees, later recorded it for More of the Monkees (1967). Hip hop group Run–D.M.C. revived the song in the late 1980s, with an adaptation that appeared in the U.S. record charts.