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Aesop and the Ferryman; The Ant and the Grasshopper; The Ape and the Fox; The Ass and his Masters; The Ass and the Pig; The Ass Carrying an Image; The Ass in the Lion's Skin; The Astrologer who Fell into a Well; The Bald Man and the Fly; The Bear and the Travelers; The Beaver; The Belly and the Other Members; The Bird-catcher and the Blackbird ...
A musical, Aesop's Fables by British playwright Peter Terson, first produced in 1983, [151] was performed by the Isango Portobello company, directed by Mark Dornford-May at the Fugard Theatre in Cape Town, South Africa, in 2010. [152] The play tells the story of the black slave Aesop, who learns that freedom is earned and kept through being ...
When William Caxton featured the story in 1484, he added a comment advising caution against hypocrisy, again quoting the scriptural admonition. [4] By the time the fable appeared in the collection illustrated by Francis Barlow (1687) the emphasis had shifted to asking for proof to back the frog's boasts: Pretences which no reall actions prop,
The Aesop Romance claims that he wrote them down and deposited them in the library of Croesus; Herodotus calls Aesop a "writer of fables" and Aristophanes speaks of "reading" Aesop, [16] but that might simply have been a compilation of fables ascribed to him. [17] Various Classical authors name Aesop as the originator of fables.
A tile design by William de Morgan, 1872 (Victoria & Albert Museum). The majority of literary allusions to the fable have contrasted the passivity of King Log with the energetic policy of King Stork, but it was pressed into the service of political commentary in the title "King Stork and King Log: at the dawn of a new reign", a study of Russia written in 1895 by the political assassin Sergey ...
The story concerns a flea that travels on a camel and hops off at its journey's end, explaining that it does not wish to tire the camel any further. The camel replies that it was unaware it had a passenger. Phaedrus comments that "He who, while he is of no standing, boasts to be of a lofty one, falls under contempt when he comes to be known."
Many other stories contain geese that lay golden eggs, though certain versions change them for hens or other birds that lay golden eggs. The tale has given rise to the idiom 'killing the goose that lays the golden eggs', which refers to the short-sighted destruction of a valuable resource, or to an unprofitable action motivated by greed.
It was the Adagia (1508), the proverb collection of Erasmus, that brought the fables to the notice of Renaissance Europe. He recorded the Greek proverb Κόραξ τὸν ὄφιν (translated as corvus serpentem [rapuit]), commenting that it came from Aesop's fable, as well as citing the Greek poem in which it figures and giving a translation. [5]