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Relatively little has been written about sacred and liturgical jazz. In a 2013 doctoral dissertation, Angelo Versace examined the development of sacred jazz in the 1950s using disciplines of musicology and history. He noted that the traditions of black gospel music and jazz were combined in the 1950s to produce a new genre, "sacred jazz". [187]
A performance at the Jazz in Duketown festival in 2019, located at 's-Hertogenbosch, North Brabant, Netherlands. Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries, with its roots in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music.
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
Gypsy jazz: A style of jazz music often said to have been started by guitarist Jean "Django" Reinhardt in the 1930s. The style was originally called "hot club" or "hot jazz" and served an acoustic European interpretation of swing. The term "gypsy jazz" didn't appear until after the 1970s, when Sinti people adapted their folk music to emulate ...
Take Five was positively received both in its release and current times and is the biggest-selling jazz single of all time. [38] [44] In 2020, The New York Times called the standard "among the most iconic records in Jazz". [1] The single was inducted into the Grammy Hall of Fame in 1996. [45]
"Scatman (Ski-Ba-Bop-Ba-Dop-Bop)" is a song by American musician Scatman John. It was released in November 1994 by RCA Records as his debut single, and was later re-released in July 1995 for his second album, Scatman's World (1995). The song was co-written by John and has been described as "a blend of jazz scatting, rap, and house beats".
George Clifford McCarl had been called a "busher", as in "bush league", meaning minor league or second rate. But Gleeson writes, on the contrary, "this dope is very much to the 'jazz'." Other uses occurred in "Everybody has come back to the old town full of the old 'jazz' and they promise to knock the fans off their feet with their playing."
After lyrics were written for "Misty", Dakota Staton was the first to record the song in 1957. [6] A number of artists also recorded the song, [10] but it was the recording by Sarah Vaughan that drew greater attention to it. Sarah Vaughan recorded the song in a July 1958 Paris session, with an arrangement by Quincy Jones for her album Vaughan ...