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The Sweetest Punch is a 1999 album by Bill Frisell, released as a companion to Elvis Costello and Burt Bacharach's 1998 album Painted from Memory.Many of the earlier album's songs are featured with new arrangements by Frisell, mostly in instrumental versions.
"Thanks for the Memory" (1938) is a popular song composed by Ralph Rainger with lyrics by Leo Robin. [1] It was introduced in the 1938 film The Big Broadcast of 1938 by Bob Hope and Shirley Ross, and recorded by Shep Fields and His Orchestra featuring John Serry Sr. on accordion in the film and vocals by Bob Goday on Bluebird Records (B-7318, 1937). [2]
The Best Years of Our Lives is the eighteenth studio album by Neil Diamond.It was released by Columbia Records in 1988 and reached number 46 on the Billboard 200 chart, number 42 on the UK album chart, and number 92 on the Australian chart. [2]
The song was written by Eddie Burton and Thomas Alan Grant for Barnwood Music which is now owned by HoriPro Entertainment. "Dancing Your Memory Away" also won two BMI awards, one at the country awards in Nashville and the other at the pop awards in Beverly Hills, CA. The song was first recorded by Tammy Wynette for her Soft Touch album.
Memory care communities often have unique design features and outdoor spaces to permit safe, secure wandering. At home, well-placed locks and alarms may be necessary to increase a senior’s ...
Thanks for the Memory is a 1938 film directed by George Archainbaud and starring Bob Hope and Shirley Ross. The picture was adapted from the play by Albert Hackett and Frances Goodrich. The film is a remake of Up Pops the Devil (1931) starring Carole Lombard and Norman Foster. The titular song, "Thanks for the Memory", remained Bob Hope's theme ...
"Rooms for the Memory" is a song recorded by the Australian Michael Hutchence for the soundtrack to the 1986 film, Dogs in Space. "Rooms for the Memory" peaked at #11 on the Australian singles chart. "Rooms for the Memory" peaked at #11 on the Australian singles chart.
"Memories" is a popular song with music by Egbert Van Alstyne and lyrics by Gus Kahn, published in 1915. The song has become a pop standard, recorded by many people over the years. Early successes [ 1 ] were by Henry Burr who recorded the song in December 1915 [ 2 ] using the name of Harry McClaskey, and by John Barnes Wells who recorded it for ...