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The song was written by Ehud Manor in memory of his younger brother Yehuda Weiner, who was killed during his military service in 1968. [1] [2] The song describe Manor's dream to spend more time with his late brother. [1] Manor asked Nurit Hirsch to orchestrate his lyrics, at the request of Shlomo Zach, the manager of the singer Ilanit. Hirsch ...
"The Bidding" is a song by American rock band Tally Hall. It was released on October 24, 2005 as track 5 of Marvin's Marvelous Mechanical Museum . The song was written by Joe Hawley with vocals led by Hawley, Rob Cantor , and Zubin Sedghi.
Lyrics can be in several languages, including Hebrew for religious songs, and Ladino. These song traditions spread from Spain to Morocco (the Western Tradition ) and several parts of the Ottoman Empire (the Eastern Tradition ) including Greece, Jerusalem, the Balkans and Egypt .
The song was a European hit, scoring a top 10 hit in countries like Belgium, Finland, Israel and Sweden. It combines the Jewish folk song "Hevenu shalom aleichem" with Eurodance-beats and also includes additional lyrics written by Alexander Bard, Anders Wollbeck, Jean-Pierre Barda, Michaela de la Cour and Dominika Peczynski. Bard and Wollbeck ...
Yevarechecha" (Hebrew: יְבָרֶכְךָ, romanized: Yəḇāreḵəḵā; lit. ' You Will be Blessed ' or ' You Shall be Blessed '), also transliterated as "Yevarekhekha", is a Hasidic Jewish nigun composed by David Weinkranz and performed by Ilana Rovina for the album Chasidic Song Festival 1970. [1]
Yemenite Songs (Hebrew: שירי תימן) is a 1984 album by Ofra Haza, in which the Israeli pop star returned to her roots interpreting traditional Yemeni Jewish songs with lyrics coming from the poetry of 16th century Rabbi Shalom Shabazi. The album was recorded with both traditional and modern musical instruments; wooden and metal ...
"Tzena, Tzena, Tzena" (Hebrew: צאנה צאנה צאנה, "Come Out, Come Out, Come Out"), sometimes "Tzena, Tzena", is a song, written in 1941 in Hebrew. Its music is by Issachar Miron (a.k.a. Stefan Michrovsky), a Polish emigrant in what was then the British Mandate of Palestine (now Israel), and the lyrics are by Yechiel Chagiz .
The author draws from the rabbinic interpretation of the Song of Songs, suggested as linguistically originating in the 3rd century BCE, in which the maiden is seen as a metaphor for an ancient Jewish population residing within Israel's biblical limits, and the lover (dod) is a metaphor for God, and from Nevi'im, which uses the same metaphor. [6]