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Restoration comedy is English comedy written and performed in the Restoration period of 1660–1710. Comedy of manners is used as a synonym for this. [ 1 ] After public stage performances were banned for 18 years by the Puritan regime, reopening of the theatres in 1660 marked a renaissance of English drama . [ 2 ]
In English literature, the term comedy of manners (also anti-sentimental comedy) describes a genre of realistic, satirical comedy of the Restoration period (1660–1710) that questions and comments upon the manners and social conventions of a greatly sophisticated, artificial society. [1]
The Mulberry-Garden is a typical split-plot tragicomedy, which was a popular and thriving genre of Restoration comedy between 1660 and 1671. [5] The multi-plot structure generally comprises a heroic couple (e.g. Althea and Eugenio, Diana and Philander in Sedley's play) in a high plot with a chivalric or aristocratic code of impeccable moral integrity, whose discourse is usually presented in ...
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The Way of the World is a play written by the English playwright William Congreve.It premiered in early March 1700 in the theatre in Lincoln's Inn Fields in London.It is widely regarded as one of the best Restoration comedies and is still occasionally performed in operas and theatres.
The Restoration rake was a carefree, witty, sexually irresistible aristocrat whose heyday was during the English Restoration period (1660–1688) at the court of King Charles II. They were typified by the " Merry Gang " of courtiers, who included as prominent members John Wilmot , George Villiers , and Charles Sackville , who combined riotous ...
Comedy of manners is used as a synonym of Restoration comedy. [38] After public theatre had been banned by the Puritan regime, the re-opening of the theatres in 1660 with the Restoration of Charles II signalled a renaissance of English drama. [39] Restoration comedy is known for its sexual explicitness, urbane, cosmopolitan wit, up-to-the ...
The satiric purpose of the comedy of humours and its realistic method led to more serious character studies with Jonson’s 1610 play The Alchemist. The name derives from the then-prevalent concept of bodily humours that controlled emotional disposition, but were also associated with psychological characteristics; [ 2 ] the result was a system ...